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Entered according to Act of Congress, in the year 1874, by 
J. ESTEY & COMPANY, 


in the Office of the Librarian of Congress at Washington, 


 — 


sy AUSTRATED CATAL gp, 


Cottage Orga, 


MANUFACTURED BY 
© d | | 


BRATTLEBORO, VERMONT. 





Giving a Brief Account of the most extensive Cottage Organ Establishment in 
the World; together with a Description of the different Styles 
of Organs manufactured, their Peculiarities 


and Patented Improvements. 
ALSO, 


THE WRITTEN STATEMENTS OF CELEBRATED MUSICIANS, ORGANISTS, AND CRITICS, WHO HAVE EXAMINED 
THE EsTEY ORGANS, AND A FEW FROM THE THOUSANDS OF OTHER TESTIMONIALS 


RECEIVED FROM PURCHASERS AND USERS. 


+. -_— 


ESTABLISHED 1846. 


> —EEE 


~ NEW YORK: 


L. H. BigLtow & Co., PRINTERS AND STATIONERS, No. 13 WILLIAM STREET. 


L= We have not been accustomed to secure the Designs of our Cases by Patent, 
but in order to preserve to ourselves the benefit of our labors, 


we have Patented all the Designs here represented. 





J. ESTEY & COMPANY. 


—_—__- —I te 


“HE year 1846 witnessed in BRATTLEBORO, VERMONT, the establishment 

t the manufacture of Reed Musical Instruments. Although humble in the 

beginning, the work has grown from year to year, until the firm of J. ESTEY & CO. 
have become the most extensive manufacturers of CoTTAGE ORGANS in the world. 

Mr. Jacos Estry, the senior member of the firm, has been connected with the 
business for more than a quarter of acentury, and under his watchful care it has assumed 
gigantic proportions. Mr. Levi K. l'un_er has been with this establishment for fourteen 
years, and has planned and developed the most complete system of Reed Organ manu- 
facture extant. Scientific men, and manufacturers from all parts of the world, have 
visited the ESTEY ORGAN WORKS, and declare them unsurpassed for perfectness 
of system and detail of arrangements. Mr. Jutrus J. Estry, son of the senior member, 
and brought up in the business, inherits the genius of his father, and has had a large 
share in the responsibility and labor of bringing the business up to its present 


standard. 


The manufacturers invite a careful examination of the following pages, which 
contain a description of their works, the improvements they have made and now use 
in their Instruments, and a full description and engravings of the prominent styles of 
Organs manufactured by them. 

Their Organs have been sold not by extensive advertising and puffing, but by the 
real merits of the Instruments themselves. Wherever they have been introduced they 
have won their way into the admiration and confidence of the people; and this is not 
mere chance, but comes as the inevitable consequence of skill, high attainment, and 
unremitting application and labor. From the first the manufacturers have employed 
the finest mechanicians and inventors of the age. The leading improvements now in 
vogue in Reed Organs were perfected and brought out in this establishment. Their 
Instruments now stand unrivalled by anything found in this country or Europe. 

Thanking their friends for their continued favors, they invite the severe scrutiny 
and candid criticism of ail, feeling confident that the more searching the test, the 


greater will be the triumph for 


TEESE La) Olesen 


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fos 
°e frost 


4 J. ESTEY & COMPANY. 





IMPROVEMENTS. 


— bh <P oe 


PT ‘HAT we have invented and adopted more valuable improvements in REeEep InstrRu- 

| MENTS than any other house in the world, is evidenced by the fact, that other 
prominent establishments after vainly endeavoring to depreciate, have deen driven to the 
scarcely more honorable course of imitating them, and we have been obliged on several oc- 
casions to call to our aid the LAw to protect our rights. But let it be well understood, 
that the credit for originality and superior excellence belongs to THE ESTEY 
ORGAN, and purchasers should beware of dealers who offer inferior instruments, 
possessing only some of the general features of the orIGINAL and GENUINE ESTEY In- 
STRUMENT. 


THE PUBLIC MAY RELY UPON THE FACT, THAT AS FAST AS REAL IMPROVEMENTS CAN BE 
PERFECTED, WE SHALL INTRODUCE THEM INTO OUR INSTRUMENTS. 


Among the many improvements, we would call attention to 


The Patent Vox Humana. 


This wonderful invention was perfected and 
brought out in the ESTEY ORGANS in 186s. It 
consists of a revolving fan placed just back of the 


cautious (?) man, waiting for bolder men to venture 
and achieve success, and then come in to share the 
fruits; in this case the fruit has to be well paid for. 


Reeds, which, when set in motion, imparts to the tone Purchasers of Organs will do well to ascertain 


a charming, wave-like effect hitherto unknown in in- | whether they are licensed under the original Patent 


strumenta! music. The contro{ of this great dis- | of June 27th, 186s, re-issued October 5, 1869, before 


covery was at once secured by Letters Patent, and | they invest their money in this improvement. 


after years of trial, the largely increasing demand for Our Vox Humana entirely changes the reed-tone, 


it attests the value of the invention and its apprecia- | giving it the sympathetic sweetness of the HUMAN 


tion by the public. Since its introduction by us, and VOICE ; its gentle, wave-like tones vibrate so melodi- 


its great success, other manufacturers have intro- | ous and pure that it never fails to enchant the ap- 


r > ; i ; i y ° is 2 ° ° . . . . . 
duced various inventions, aiming to accomplish the preciative listener: in fact it is the FIRST AND ONLY 


same result by different means. calling theirs by the | MECHANICAL REPRODUCTION OF THE HUMAN VoIcE 


same or similar names; they are, however, that old , EVER GIVEN TO THE WORLD 


and dilapidated idea—the “ Valve,” “Clapper.” or . y 
P : Ee THe Use or THE Vox Humana.—The finest 


“Cut-off” Tremulant, and are little better than ae, 
: effects of the Z+emolo are produced in using it asa 


failures; and purchasers are cautioned against re- | . 01, Stop. On all SINGLE BANK ORGANS it should 


ceiving the statements of interested parties v = ; : 
mae : poze sted partics Wio)te be used with the Diapason Stop; though in Organs 


resent their so-called Tremolos, as the same . ; 
P : : oa that have the Harmonic Attachment or Vox Fubilante 


nearly the same in effect as ours. ; 
: Stop, a fine effect is produced by using that in connec- 


After vainly endeavoring to decry this great im- | tion with the Diapason. On DOUBLE BANK ORGANS 
provement, a certain firm has been compelled to 


the taste and skill of the performer will lead him to 
adopt it, paying a liberal royalty for the same, and | produce beautiful effects. In fact so many beautiful 
are now advertising it as ¢Ae’ry new improved Vox | combinations can be made that the most ordinary 
Humana, patented by them. Itisthe old story of the player cannot fail to be enchanted by the effects. 


IMPROVEMENTS. 5 


— —————— 


The Patent Vox Jubilante 


.S 2 mew and beautiful stop, peculiar to the EsTEy | judges a great success, and is destined to create 


-wcaws. The character of the tone is marked and | 


- +. 
-- 


womceriully effective, giving a style of music hitherto 


wmattzined in instruments of this class. This 1s ac- 


oOmmiplished by an extra set of reeds, ingeniously ar- 
/ and peculiarly tuned, the patent for which 


/ = 
— a. = 


Estry & Co. have owned for a long time, 


—_—<_ See 


= 
_—- = 


2zc not until after long and careful experiment 
were they adjusted to meet this special and hitherto 


unsupplied want. It is considered by competent 


a great revolution in the manufacture of Reed 


| Organs, 


With this attachment on an ESTEY ORGAN, the 
most thrilling effects can be produced, the listener 
can hear the sweet Diapason in the distance, increas- 
ing in beauty and grandeur, until mingling with the 
royal tones of the $udilante, like a full band, it 
breaks upon the ear, charming and delighting be- 
yond our ability to express. 


The Patent Harmonic Attachment 


is an octave coupler used on a single manual, and | reeds is instantly made equivalent to one of four; 


doubles the power of the instrument without increas- | 


ing its size or number of reeds. Thus, by the use of 


this improvement, an Organ containing two sets of 


and a tri-reed equals an instrument of six sets of 
reeds, making the MOsT POWERFUL instrument of its 


size yet known in this country. 


The Patent Manual Sub-bass 


Brings into use an independent set of large and 
powerful SUB-BASS REEDS, which are played with the 
ordinary keys and controlled bya stop. The man- 
ner in which this set of reeds is placed upon the air- 


chamber increases the volume of tone at least one- 


The Patent 


Whereby the player has a complete control over the 


third. 


extra room, and has all the effect of pedal bass, and 


This new and valuable invention requires no 


can be used by any ordinary performer. The inven- 


tion is covered by ¢hvee patents. 


Knee-Swell, 


| 


endo, more beautiful than the automatic swell, or any 


instrument, obtaining a perfect crescendo or diminu- | other ever before used. 


The Patent Organ Bellows 


Greatly enhances the power and quality of the tone without increasing the size of the case. 


The Patent Reed Board, 


Whereby the tone is greatly improved, and rendered 


' in the market. 


This important improvement is 


more like a Pipe Organ than by any other instrument | covered by two patents. 


The Patent Violetta, 


A soft Solo stop of great beauty, and very desirable where a softer tone is required than is produced by the 
ordinary stops. 


J. ESTEY & COMPANY. 


Improved Lone. 


The days of the old fashioned Melodeon have 
passed. The great improvements in modern Reed 
Organs have brought them to the front rank of musi- 
calinstruments. No matter how good a case it may 
have, how costly or stylish its apparel, unless the 
tone of the instrument be pure, sweet and musical, 
beyond the fwang usually found in reeds, it is little 
else than a failure. As regards quality of tone, the 
EsTEY ORGAN stands pre-eminently above every 
other. Its sweetness, purity and pipe-like quality are 
the wonder of all who hear it. Round and full, with- 
out sacrifice of power, and capable of the most deli- 
cate articulations—breathing forth the soft tones of 
the Dulciana, it can also produce the deep and 
thrilling tones of the Pipe Organ. The question is 
often asked, “ How do you produce such tones? Why 
I never heard any thing to equal it!” Our answer is, 
a great many things go to make up this quality of 
tone. In the first place we have two patents cover- 
ing the method in which our reed boards are con- 
structed, and these improvements are not found else- 
where. The Reeds have no small part to play in 
giving us these beautiful tones. It would be per- 
fectly ridiculous fora person with a husky, cracked 
and ugly voice to attempt to imitate a Prima Donna, 


or for an untutored and harsh voice to appear as 


PAREPA or NILSSON. There is as wide a difference in 
reeds asin voices. Our reeds are the fruit of long and 
patient study. The stock is ofa fine and peculiar tex- 
The 


most costly and exact machinery known to modern 


ture, melted and rolled especially for our use. 
times is used by us. After the reeds are fashioned by 
machinery as far as it is possible so to do, skillful 
hands manipulate them in the most delicate and exqui- 
site manner, Some of our workmen have been with 
us from the start. Our leading tuners have spent their 
whole lives in this particular branch, and although we 
do not claim for them, or for ourselves, the discovery 
of RrEps, the ELEcTRIcC TELEGRAPH or the STEAM 
ENGINE, we do claim that our method of manufacture, 
our skill and experience enable us to fashion our 
reeds and produce a tone which others have in vain 
attempted to imitate. In relation to our machinery 
for doing the above work, we have one word more to 
say. It is well known that we have the finest in the 
world, and others have often applied to us for copies 
or drawings of it. As we have spent many thousands 
of dollars in perfecting it, we have declined all such 
invitations. And yet, one of the leading city manufac- 
turers during the past year has kept an agent in town 
for weeks at a time vainly attempting to bribe our 


workmen, and get a knowledge of it. 


Cases. 


The American public demand in all those things 
which are manufactured for their convenience and 
comfort, that there should be a proper display of use- 
ful and beautiful ornamentation. In fact, no more 
annoying problem is presented te artisans and manu- 
facturers than how to gratify this demand. 

The days of plain and severe style of cabinet work 


have passed. Modern skill and machinery have en- 


abled us to thoroughly satisfy the refined taste of the 
people, and at a moderate cost. We have the grati- 
fication of presenting to the public new styles of 
Organ Cases, which for chasteness of design, elabor- 
ate embellishment and beauty of finish, have never 
been excelled or equalled—styles which will prove 
an appropriate addition to the architecture of any 


church, or the furnishing of the most elegant parlor. 


Material. 


The material used in the construction of the EsTry 


ORGANS is tested in the most thorough manner 


known to modern science. The most scrupulous 
care is taken in every stage of the work. The lum- 
ber is first exposed to the open air for a given period, 
that nature may do her own seasoning, after which it 


runs the gauntlet of kilns built especially for this 


purpose. When thus prepared, it is proof against 
climatic changes, and assists materially in giving tone 
and excellence to the instrument. In fact, nothing 


but the most carefully selected material, and that 


_ which has been proven to be the very best, is allowed 


to enter into the construction of any of the parts of 


the Estry ORGANS, 


ene — 


PRICES—WHAT TO BUY. 5 


ee pwnan 


Prices. 


Many firms are advertising a reduction of prices, 
and it behooves the public to examine carefully what 
they buy. There has been no real reduction of 
prices, and cannot be so long as labor and material 
are so high. To be sure, some articles are cheaper, 
but otuers have increased in value. Nevertheless, a 
CHEAPER Class of instruments has been introduced, 
made of what would be refuse material in the manu- 


facture of first-class Organs, and these are sold cheap, 


We 
have seen the reputation of too many firms shaken 


the better class of goods remaining the same. 


or ruined by putting upon the market goods of an 
inferior grade, and we will not risk ours by palming 
off upon the public, goods which are cheap, trashy or 
second class. Our success has been achieved by giv- 
ing the public nothing but a first-class article, and 


for such we believe they are still willing to pay. 


What tocBuiy. 


In looking over the list of Organs now before the | 


public, purchasers are sometimes bewildered to 
know whose make to select, and still more, the par- 


For 


this reason we have attempted to set forth in as full 


ticular style of instrument it is best to procure. 


and clear a manner as possible, the peculiarities and 
distinctive qualities of the EsTEy ORGANS. 

Tastes differ so much, circumstances are so varied, 
places for and the surroundings of instruments so 
dissimilar, that itis impossible to give any general 
rule for buying an Organ. But there are some 
HINTS which will be found useful to all intending 
to purchase. In the first place, the purchaser must 
be assured that he is getting a good article, thoroughly 
made, that will stand the test of climate for years, 
and will not easily get out of order. 

In fact, the public now demand that there shall be 
a good reputation back of their purchase—the mere 
getting ofan instrument through the terms of warranty 
will not do. 

The CASE must be well made, of good proportion, 
and with a degree of elegance commensurate with 
the price. The BELLOWS, being of vital importance, 
must be of sufficient capacity to sustain a strong and 
steady tone. The REEDS must be of an excellence 
that will produce vound, full and pipe-dike tones, en- 
They 


must not be ‘wangy nor, reedy, but pure and sweet, 


tirely musical, of which the ear does not tire. 


and of sufficient power to meet their requirements. 
ALL OF THESE QUALITIES ARE OBTAINED IN THE 


EsTEY OrRGANs. To enable those who may not be 

able to examine Organs before ordering, we make a 

few explanations in regard to the different styles. 
Those who do not care so much for power, but 


want a beautiful, soft tone, with some variety, Nos. 


6, 8 and 9 are very desirable and popular 


No. 11 is the “ Gem or THE Partor,” being mode- 
rate in price, and of sufficient power for the parlor, 
and of great variety and sweetness of tone. 

It has ad// the 


Its variety is almost endless. It has 


No. 14 is the SAMPLE INSTRUMENT. 
improvements. 
the power of about six sets of reeds and combines 
every quality produced in the styles described ; and 
we challenge the WoRLD to produce any Reed Organ 


_ of its size and price that will bear a favorable com- 


parison with it. 

In our Bovporr ORGAN, No. 34, will be found 
more elegance than in any other instrument in the 
market. It is beautifully finished, and designed for 
the most elegant parlor or drawing room. 

CHURCHES must be governed by the size of their 
audience room, position of the Organ, and their cir- 
cumstances ; but to those who can afford them, we 


recommend strongly the larger instruments. They 


_ have greater depth of tone, power sufficient for most 


| 


of our Church edifices, anc are more desirable than 
Pipe Organs costing less than $2,000, 

For further particulars in regard to Organs with 
Gilt Pipe Tops, and full description of other styles, 
we refer the enquirer to the following pages. 




















14 J. ESTEY & COMPANY. 


No. 26. 


Contains Three full Sets of Reeds (including Vox Jupmantr and VioteTra) and 
Vox Humana. It differs from No. 11, the Key-board having a compass of six octaves. 


Eight Stops: 


Melodia, Diapason, 
Viola, Flute, 
Violetta, Vox Jubiliante, 
Vox Humana, Forte. 


——- — + -—§ sy 


No. 2S. 


Contains Three full Sets of Reeds, including Vox Jupirantrr and Vioterta. It 
has also the Vox Humana, Harmonic ATTACHMENT and Manuva. Svus-Bass. The 
musical combinations of this Instrument differ from No. 14 in having a Key-board 
of six octaves compass. All the improvements mentioned as attached to the five 
octave Organs are combined in these. Although the greater part of music is now 
written for five octave Instruments, there are a few who want a six octave Organ. 
From our great experience in Organ making, we have selected the combinations con- 


tained in these two styles as the best suited to their wants. Ten Stops: 


Melodia, Diapason, 
Viola, Flute, 
Violetta, Vox Jubilante, 
Vox Humana, Forte, 
Sub-Bass, Harmonic. 


Extra Styles will be made only to order. 


—~ a, 


SIX OCTAVE COTTAGE ORGAN. 15 


ee, as 


Six Octave Cottage Onrgaiar 





2 ft. 2 ia.; Herc, 3 ft. 8 in: 


; DEPTit, 


LENGTH, 4 ft. 5 in 


No. 26, - . z - - Price, $260 | No. 28, - : - - - Price, $310 


16 J. ESTEY & COMPANY. 


No. 3A. 


Our Bovuporr OrGAN contains Three full Sets of Reeds, including Vox JusmanTE 
and Viotetra. It has also the Vox Humana, Harmonic ATTACHMENT and MANUAL 
Sus-Bass. Key-board of five octaves compass. Improved Knee-Swell, Reed-board 
and Bellows. We believe this to be the most complete and elegant Instrument in 
use. The design is entirely new and original, and for the first time offered to the 
public. The Case is of Solid Black Walnut, with elaborate carvings, French and 
other fancy walnut being used in its ornamentation, beautifully finished in shellac 
and oil. 

Although the outward style of this Case is new, the internal features of it have 
been perfected for some time. We introduced in 1866 sounding chambers in the upper 


part of an Organ, and have used them in our Boudoir Organ since. We have added 


alse such other improvements as experience has shown to be of real worth, and would 
be desirable. Ten Stops: 

Melodia. Diapason, 

Viola, Flute, 

WVioletta, Vox jubilante, 

Vox Humana, Forte, 

Sub-Bass, Harmonic. 


—_ ~~ - —_— 


There are very many minor things that might be spoken of in relation 
to our Organs, such as Ivory fronts to the Keys, the best quality of Ivory 
being used by us; Keys bushed to prevent rattling, and always preserving an 
even and delicate touch. In fact everything connected with our Organs is 


of the very best quality and workmanship 


BCUDOIR ORGAN. 


Boudoir Organ. 


LENGTH, 4 ft. 6 in. 


No. 34, = ~ a . 





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— Pace 
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ool 


DEPTH, 2 ft. I in.; HEIGHT, 5 ft. § in. 


- - - - - - Price, 


$360 


18 


J. ESTEY & COMPANY. 


NWo. 35S. 


This is especially designed for large PaRLors, Lecturr Rooms, SuNDAY SCHOOLS 


and CHURCHES, beautifully finished in Black Walnut. 


It has a powerful Sub-Bass, with 


independent Reeds, and is the most powerful Single Bank Organ made; and is so 


simple in its arrangement that the mog ordinary player can manage it. 


Contains Three full Sets of Reeds (including Vioterra and Vox JUBILANTE) and 


a heavy Solo Set, with Vox Humana, Harmonic AtracumMeNnr and ManuaL Sus-Bass. 


Key-board of five octaves compass, and improved Knee-Swell. The Case is of new 


and elegant design, having handles at each end so as to be conveniently handled, and 


is large enough to admit of great size in the air chambers and bellows, thus giving 


greater power and a depth of tone unattainable in smaller instruments. Twelve 


Stops : 


Melodia, 
Viola, 
Violetta, 
Sub-Bass, 
Vox Humana, 
Grand Forte, 


Diapason, 
Flute, 

Vox Jubilante, 
Clarionet, 
Harmonic, 


Forte, 





HARMONIC ORGAN. 


Harmonie Organ. 


A ry, y , =. rie ae ’ Ubiang 
Acne Tr O es mr 





LENGTH, 4 ft. 63¢ in.; DEPTH, 2 ft. 7 in.; HEIGHT, 3 ft. 9% in. 
4 34 3 9/2 


~*~ 


No. 35, - - - - : - - - - - Price, $400 


IQ 


20 J. ESTEY & COMPANY. 


INio. oi7 . 


This Organ is designed for CuuRcHES, LECTURE and Society Rooms, and is a great 


tayorite with Organists. 


It contains Two Manuals, Sixteen Stops and Six full sets of Reeds, (including 
Vox Jusi_LantTeE, the charming VIoLeTtTa, the beautiful DreLicantTr, and MANUAL SuB- 
Bass, with independent set of Reeds), with Vox Humana and Manuva. Couper. It 
also contains our patent improved KNEE-SWELL, REED-Boarps and BELLows, with 


double Blow PEDALS. 


The Manuva Sus-Bass, of the same size as Pedal Reeds, possesses more power than 


has ever before been obtained on Manuals by any Reed Instrument maker in the world. 


The Case is made of solid Black Walnut, of new and elegant design, finished in 
Shellac and Oil. 
SIXTEEN STOPS: 


Vox Humana, Forte, 

Violetta, Delicante, 
Viola, Flute, 

Gamba, Dulciana, 
Melodia, Diapason, 
Cremona, Principal, 
Bourdon, Clarionet, 
Sub-Bass. Manual Coupler. 


Grand Organ. 





DOUBLE BANK ORGAN. 


Double Bank Organ. 


LENGTH, 4 ft. 7in.- Deprun, 2 ft. 8 in.; HEIGut7, 5 ft. 4 1n. 


375 = - - - . - - Price, 





$600 


2i 


22 J. ESTEY & COMPANY. 


No. 39. 


This Instrument is of great variety as well as power, and is suitable for Lecture 


Rooms, Haus, CuurcHes and CoNnsERVATORIES oF Music. 


This style contains six full sets of Reeds, including the Vox JusmLanre and the 
charming DELicanTE, (which is a sorr stop, of peculiar arrangement and construction, 
giving a very remarkable quality of tone, and adding greatly to the variety and effect) 


and the beautiful Solo Stop VioLeTtTa. 


It has a tull Pepat Bass of twenty-seven notes, and is very powertul. There is a 
Stop operated by the foot to couple the Pedalsto Manuals. It has also a Foot-Swell, 
Knee-Swell and Double Bellows. Two Blow Pedals are used, so that the player 
can use them the same as in the ordinary Cottage Organ, if desired. There is also a 
Blow Lever to be worked by a second person, if necessary. This is controlied by 
stop action recently patented, enabling a steady and constant supply of air always to be 


maintained. We also furnish a Seat for the Organist. 


Case of solid Black Walnut elegantly carved and richly finished. 


SIXTEEN STOPS: 


Vox Humena, Forte, 
Violetta, Delicante, 
Viola, Flute, 
Gamba, Duiciana, 
Melodia, Diapason, 
Cremona, Principal, 
Bourdon, Clarionet, 
Pedal-Bass, Manual Coupler. 
Pedal Coupler. Grand Organ. 
Knee Swell. Foot Swell. 








PEDAL ORGAN. 





=. 
ie 


_ a —_ 
CARMAN Sieks 


‘ 5 — 
= 


it 


LENGTH, 4 ft. 9 in.; DEPTH, 2 ft. 8 in.; Hericur, 5 ft. ro in. 


use, the DEPTH is 4 ft. 2 in. 


Nowgor lish, ar = 





Including the Pedals in, ready for 


- Price, $750 


23 


~ J. ESTEY & COMPANY. 


IWo. -<ti. 


This Organ corresponds with our No. 34 as regards the stops and attachments, but 


the Case has a beautiful 
PIPE ORGAN TOP. 


This addition gives a grandeur and elegance not otherwise attainable, and will be 


found very desirable for those who can afford it. 


No. 41, 


BOUDOIR ORGAN.—PIPE ORGAN TOP. 25 


TC A GS 


Boudoir Organ.—Pipe Organ Top. 





2 : = - - - Price, $435. 


i 


26 J. ESTEY & COMPANY. 


INo. -4t-4. 


This Organ corresponds with our No. 37 in every particular, with the addition of 
Pirr OrGaAn Top, with richly Gilt Pipes and elegantly Carved Ornaments. and Case 


of solid Black Walnut. 


DOUBLE BANK ORGAN.—PIPE ORGAN TOP. 27 






uble Bank Organ.—Pipe Organ Top. 


i 
name WPA CO) 


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———_ 


rae 





LENGTH, 4 ft. 7 in.; DeEptu, 2 ft. 8 in.; HEIGHT, 8 ft. rr in, 


No. 44, - - - - - - - Price, $750 


28 J. ESTEY & COMPANY. 


No. 46. 


This Organ corresponds in every particular with our No. 39, with the addition of 
the Prrp—r OrcGan Tor, and we feel warranted in saying, that for elegant appearance, 
combined with the quality and power of its tone, it has No EQuAL. The Pipes are 


richly gilt, the ornaments elegantly carved, and the Case of solid Black Walnut. 


PEDAL ORGAN.—PIPE ORGAN TOP. 20 


Eedal.-Organ:— pipe Ox,ganedsoje: 





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use, the DEPTH is 4 ft. 2 in. 


Now465 9 -)e =e - - = Price, $900 


TESTIMONIALS. 


From F. N. SQUIRE, Director of Music St. Peter’s Church, 
Bennington, Vt. 
This is to certify that, after fifteen years’ experience, I take 
pleasure in recommending the Esrey Cotrace Orcan as by far 
the best reed instrument manufactured. 





From R. @. WILLIAMS, Castleton, Vt. 


How do | like the Organ? Itis splendid. The tones excel 
anything I remember ever to have heard. The ¥xdilante isa 
greattriumph One man here who heard it said “that fills my 
ear better than any piano.’’ 1] can speak unqualifiedly in its 
praise. 


From J, H. WILLCOX, Mus. Doc., Organist, Boston, Mass. 


During my recent and also my first visit to Brattleboro, an 
occasion was afforded me for examining your manufactory and 
of seeing and testing the different varieties of your Cottage 
Organs. I am so much pleased with their quality of tone 
and excellent workmanship that I must express my admiration 
for them in something which may possibly be of more benefit 
to you than mere verbal compliments ; therefore I address you 
these few lines, which you are quite at liberty to use. - 





From Prof. L. 0. EMERSON, Boston, Mass. 


It redeems reed instruments from harshness, and makes 
them more sympathetic and beautiful. Hereafter, with the ad- 
dition of your valuable patent, I shall enjoy the music of the 
Reed Organ. 


From Rey. D. H. STODDARD, Pastor of the Baptist Church, 
Athol, Mass. 


The Cottage Organ which I purchased of you a few months 
since gives perfect satisfaction. It is asuperior instrument, far 
exceeding our expectations. Weare delighted with it. It adds 
anew charm to our happy home. For variety and delicacy of 
tone, for sweetness and power, I know not its equal. I can 
conscientiously and cordially commend it to all who desire an 
excellent instrument. 


From I. L. GOODHUE, Danville, Conn. 


I purchased some three years since one of Estry’s ORGANS 
—style 33. Iwas much pleased with it at first, and the more I 
use it the better Llikeit. I would not care to exchange it for 
an instrument of any other make I have ever seen. 


From WM. A. KING, Organist of the Church of the Transfig- 
uration, New York. 


GrNnTLEMEN—I have examined and tried your new Cottage 
Organ with unusual satisfaction. I think the smooth, organ-like 
tone of the reeds vastly superior to anything of the kind I have 
ever played upon. I congratulate you, also, on the delicacy 
and extreme quickness of the touch, as well as the other im- 
provements. The 7yemo/o of your invention is, in my opinion, 
the crowning perfection of that mechanical stop, and gave me 
complete satisfaction ; the effect is fascinating ; I could play on 
that one stop tor hours without wearying- 





From GEO. W. MORGAN, Organist of Grace Church, New York. 


GENTLEMEN— Your new invention for the 7yemolo is some- 
thing entirely new to me, and the effect produced is certainly 
the best I ever heard. It will form one of the most valuable 
inventions of the present day, and I shall certainly be one of 
the first to adopt it in any instrument I have command over. 


From JOSIAH N. KING, Organist D. R. C., Lafayette Place, 
New York. 


After a number of trials and a critical examination of your 
patent, I believe it to be the most perfect 7yem:o/o effect extant, 


_ far surpassing anything of the kind I ever heard. 


From CHAS. FRADEL, the eminent Pianist and Composer. 


Its beautiful effect cannot be written; it must be heard to 
be appreciated. I am of the opinion that no person of taste 
will buy an instrument without this great improvement. 


From ALBERT WOOD, Organist, Pianist and Composer. 


Concerning our Vox Humana says: This is the most re, 
markable musical idea ever conceived. It completely enchants 
the lover of sweet sounds, and may be justly ranked among the 
most remarkable of modern inventions. 


From Rey. JAMES GARDNER, Pastor of First Presbyterian 
Church, Canton, N. ¥. 


Our Sabbath School has received its Esrey Orcan. It 
would puzzle me to point out a defect in it. The design and 
workmanship of the instrument are in perfect taste. If it does 
not discourse perfect music it must be the performer’s fault. 
The accuracy, vigor, freedom and delicacy of all its utterances 
are exceedingly satisfactory. 





From E. L. BAKER, Teacher of Music in Public Schools, Buf- 

falo, N. Y. 

GENTLEMEN—Ilaving played and fully examined the ex- 
treme qualities and beauties of your Cotrace OrGaN with the 
Vox Humana Tremolo, 1 am pleased to say it is the xe plus 
«udtra of reed instruments. Iam sure that its true merits will 
furnish you all that is satisfying in compliments and justice. 


From H. H. NELLE, Pastor Pres. Church, Fort Edward, N. Y. 


The organ which | procured from you arrived on Thursday, 
in good order. Weused the instrument on the Sabbath, during 
the day, and at a Sabbath School concert in the evening. It 
gave universal satisfaction. We could not be better suited. 
The satisfaction which the instrument gives is beyond our ex- 
pectation. 


From Rey. W. F. BALL, Pastor M. E. Church, Potsdam June- 
tion, N. ¥. 


I consider the Estey OrGan superior as a parlor Organ to 
any that has ever come under my notice. Not affected by cold 
or heat, 


aw 


From Rey. WM. R. HELNES, Pastor M. E. Church, Colton, N.Y. 


I take pleasure in acknowledging the perfect satisfaction 
given to myself and family by your Organ. 1 began think- 
ing well of the instrument on first hearing .ts beautiful tones, 
but familiarity with its capacity to fill the ear and heart with 
the varied tones of deepest, softest melody. to the royal ele- 
gance of the ¥xdlante, as it pours forth its unequaled rich- 
ness, so beautifully blending with the human voice, has con- 
firmed myself, as well as all who have ever heard it, that this 
Organ has xo suf~erior and scarcely any eguad. 


-_—_— 


From WM. HENRY WHITE, Ulverton, N. Y. 


With regard to your Organ, I am happy to state that it has 
realized all you promised for it. It fully comes up to our most 
sanguine expectations. It has been pronounced by those who 
have played upon it as one of the highest order, 


From H. M. WELCH, Potsdam, N. Y. 


After carefully examining the Organs of various manufactu- 
rers, I have come to the conclusion that none that I have ever 
seen are equal tothe Estey in construction and in in the quality 
of tone as well as power. The one I have is remarkably free 
from the coarse, open, reedy sound that characterizes reed 
Organs generally, and more nearly approaches the full, round 
tone of the pipe Organ. All who have this express the same 
opinion, 


ss 


From ISAIAH SMITH, Farmer Village, N. Y. 


I purchased one of your Cottage Organs,and my daughter 
has used it nearly eighteen months, and tt has given myself and 
family perfect satisfaction. The reeds are voiced so evenly that 
it is perfectly natural and easy to sing with, and we think the 
Tremodo the finest arrangement we have ever seen in an Organ. 


From RYAN COVERT, Balladist, formerly of the Continental 
Voealists, Farmer Village, N. Y. 


Having used and fully examined your Organs, I am pleased 
to write that,in my opinion, they are the best in use. In regard 
to your 7yemolo, all must admit that it stands far ahead of all 
others, and really is all that you have claimed for it. 


From A, M. SHERWOOD, Trumansburgh, N. Y. 


Eighteen months ago I purchased one of your Double Bank 
Reed Organs, with sub-base and 77yemoéo attachment, and I am 
happy to say we are greatly pleased with it. Itis very prompt 
and brilliant in secular music, and in sacred music it has a rich- 
ness of tone and depth of harmony that I have never heard in 
in any other Organ. The 7+emolo produces one of the most 
beautiful musical effects. 


o—————— 


From WILLIAM ROBJOHN, late of London, now with C. & J. 
H. Odell, Organ Builders, New York. 


I accidentally saw one of your Organs in the St. Paul’s M. 
E. Church, Peekskill, and its appearance induced me to try it. 
I was so much pleased with its touch and quality of tone that my 
former prejudices against such instruments completely gave 
way, and I have great pleasure in saying that they are the best 
reed instruments I have met with; the 7+emo/ois certainly very 
ingenious and beautiful, and well adapted to instruments of its 
class. 


From Rey. HERMAN ©. RIGGS, President of N. Y. M. A. 


I am greatly pleased with the Vor Humana Tremolo of the 
Estey Cotrace OrGax, not only because of its novelty, but 
also and chiefly because of its perfectness. It is not merely the 
Best that I have ever heard, but it is the o:y mechanical re- 
production of the tremolo of the human voice which has ever 
satisfied me. It deserves its name, and to say this sincerely, is 
to give it its highest commendation. 


1 
i 


TESTIMONIALS. 31 


From GEORGE JARDINE, Organ Builder, New York. 


I recently had cccasion to give my judgment, officially, on 
reed instruments, and am confirmed in the opinion then formed 
that Esrey’s CotraGe OrGans are without a superior for “* ex- 
ceedingly quick articulation and round tone’'—the essential 
features in instruments of this class. I have also critically ex- 
amined the new lox Humana Tremolo,and am free to concede 
to it all the excellence claimed for it. In fact, it is the only 
Tremolo | have ever heard that is really worthy of the name. 





From WILLIAM A. JOHNSON, Organ Builder, Westfield, Mass. 


Iam happy to express my conviction that no Trewro/o has 
yet been invented that will in any degree compare with this for 
beauty of effect. In fact it seems to me to be absolutely perfect, 
leaving nothing to be desired. 


From C. B. SEYMOUR, Musical Critic of the N. Y. Times. 


An invention so simple and perfect as the lox Humana 
Tremolo, must commend itself to every one’s appreciation. 
That it adds to the quality, humanity, and sensibility of the tone, 
no one can fora moment deny. More than this, it gives char- 
acter to what, in inferior instruments, is seldom more than a 
level, dry monotony of scale, It is vocat, which is the highest 
praise that can be bestowed on any instrument. 


From JOHN FARLEY, First Tenor, Church of St. Francis Xa- 
vier, West Sixteenth Street, N. Y. 


By the use of your Vox Humana Tremolo, the performer 
can give expression to the softest feeling of saddened pathos, or 
the strongest emotion of intense passion. I would not, for my- 
self, nor would I for another, purchase an instrument without 
this great improvement. 





From WM. COATS, Raymondyille, N. Y. 


The Organ gives us perfect satisfaction, and I cheerfully 
recommend it to the public. 


From Rey. L. E. COYLE, Pastor Presbyterian Church, Bridge- 
ton, N. J, 


The Organ came safely to hand this morning, and was un- 
packed and placed in the Church, and as you may readily im- 
agine, I lost no time in trying it. Accordingly, I must write 
and tell you that it is ad? J coudd possibly desire, and has music 
in jtas lovely as any man need wish to hear, and some effects 
which I am sure could not be produced on any Pipe Organ. I 
am truly glad the Harmonic was placed in it, for it comes fully 
up to my expectations in the way of effect. And I will take 
this opportunity of thanking you for the pains you have taken 
with this instrument. Thereal enjoymentit has already afforded 
me is the best proof of my thorough appreciation ofit. I cannot 
help thinking, if only some of the old masters could have had 
such an instrument in their houses how they would have ex- 
ulted init. I am glad, at all events, if we of the present day 
have not their brains, we can at least have the Organs. 


From MASONIC FRATERNITY, Rouseville, Pa. 


The Masonic Fraternity are very much pleased with the 
Estey Orcan. It hasa very fine tone and finish, and gives us 
the greatest satisfaction possible. 


From Rey. J. B. SUMNER, for a number of years a successful 
Teacher of Music, Nicholson, Pa. 


Having had considerable acquaintance with the Estey On- 
GAN during the past eight or ten years, I can most heartily re- 
commend it asa superior instrument. The cases are well made 
and tastefully ornamented, while the inside work ts finished = 
a complete and substantial manner. The full, rich tomes as 
well as the durability of the instrument should commend = a» 


| the tavor of all who desire a good family Organ. 


32 


— 





From Miss ANNIE E. WELLS, Teacher of Music, Dundaff, Pa. 


I take pleasure in saying to you that I am one of the many 
admirers of the Estey CorraGe Orcans. I very much prefer 
them to all others now in the market. In consideration of their 
permanent and beautiful mechanical structure, their great 
power, combined with a fascinating sweetness of tone, their 
perfect resemblance to and sympathy with the human voice, I 
think them superior to all others. 


From A. MILLER, Esq., Berwick, Pa. 


The Baptist Church of this place purchased one of J. Estry 
& Co.’s CorraGe OrGans, which has been in use about six 
years, and gives perfect satisfaction. 


From GEO. B. THOMPSON, Esq., Berwick, Pa. 


The Estey OrGan purchased of you three or four years 
since for the M. E. Church of this place gives first-rate satis- 
faction. It has been in use regularly ever since we got it, and 
has not once been out of order. 


From HARRY HORNER and JOEL DARTING, Members of the 
** Allegheny Quartette,” Pittsburgh, Pa. 


Have used the Esrey Corrace Orcans at our Concerts 
frequently during the past ten years, and prefer them to any 
other Organ we have ever used. Their full, round, pipe quality 
of tone and quick articulation, combined with the Patent lox 
Humana and Vox F¥ubilante Stops,make them the most desira- 
ble for Concert or Church purposes. 


From J. N. HOPEWELL, Esq., Northumberland, Pa. 


The Boudoir Esrey OrGan purchased of you for the M. E. 
Church of this place has been in use three Sabbaths. We are 
very much pleased withit. The tone is sweet,and we think of 
sufficient power to meet all just demands. All parties unite in 
praise of the ¥xuédi/ante Stop. It is peculiarly touching and 
sweet. 


From BISHOP SIMPSON, of the M. E. Church. 

Iam greatly pleased, as are also also all the members of my 
family with the Boudoir Cotrace OrGan furnished by you. 
For arrangement, finish, tone and power, and especially for the 
effect of its 7remodo, it is an instrument of superior value. 


From J. REMINGTON FAIRLAMIB, well known to the musical 
profession as an Organist and Composer of the highest or- 
der, Baltimore. 

It gives me great pleasure to acknowledge to you the high 
degree of estimation in which I hold the Esrey Corracre Or- 
GANS, as Well as to state the great satisfaction they have given 
many friends, professional and personal, who, in purchasing 
instruments, have given these the preference. They possess a 
remarkably sweet tone, together with great richness and full- 
ness, and the action is easy and reliable. It is not surprising 
that, with the aid of the }ox Humana Tremolo and the Vox 
Fubilante, they have attained the great popularity they now 
enjoy. 


From ALBERT HOLLAND, Organist of Central Presbyterian 
Church, and Solo Clarionet Player of Peabody Institute 
Orchestra, Baltimore, Md. 


I have been using one of the Estey OrGans for several 
years, and do not hesitate to pronounce it a VERY SUPERIOR in- 
strument in EVERY RESPECT. Its tone is FULL, RICH and SWEET, 
and entirely free from the reedixess which is characteristic of 
the instruments of other makers. I heartily endorse the Estey 
instruments. 


J. ESTEY & COMPANY. 




















<n 


From A. R. MACLELLAN, Organist of Westminster Presby- 
terian Church, Baltimore, Md. 


1 have eXamined the Esrey Corracr ORGAN, and am much 
pleased with its quality of tone, which | find to be very rick 
and full. The touch is peculiarly easy and reliable. 

Your 7yemolo—the Vox Husmana—is certainly the nearest 
approach to perfection that I have ever seen, and the lox $z- 
btlante is remarkably brilliantand effective. I would, therefore, 
cheerfully recommend them to all who want an instrument 
either for public or private use. 


From GEO. A. EMERSON, Organist of Second Presbyterian 
Church, Baltimore, Md. 


On numerous occasions have had an opportunity of testing 
the Estey CorraGe OrGan, as well as comparing it with simi- 
lar instruments of other manufacturers, and J do not hesitate to 
say that I consider it superior to all other instruments of the 
kind. I desire especially to express my admiration for the qual- 
ity and voicing of those new Stops, known as the l’ex ¥ubilante 
and Fox Hxmana, which are found only in this instrument. 


From H. BIALLA, Organist St. Ignatius’ Church, Baltimore, 
Md. 


Having had occasion to test and fully examine the Estey 
Orcans, I take the liberty to add to the many expressions of 
ad niration which they have attracted. The new arrangement 
of the 7+emo¢e, and your latest invention—the lox $xdtlante— 
render them far superior to any reed instrument I have ever 
met with, and I cheerfully recommend them to the musical pro- 
fession and to the public. 


From JAS. M. DEEMS, Professor of Music, Baltimore, Md. 


I have had in my use for a considerable time one of the 
Estey OrGans, and do not hesitate to say that I consider ita 
very superior instrument. I cheerfully recommend these in- 
struments to any who may be in want. 


From Rey. GILBERT PF. WILLIAMS, Pastor P. E. Church, 
Hancock, Md. 


We are very much pleased, and are satisfied with the supe- 
riority of the Esrey OrGAn over all others. I do not hesitate 
to say, after a Jong acquaintance with all other American reed 
instruments, that yours are so far superior as not to be classed 
with them. 


From Rey. N. E. GLLDS, Pastor Reformed Church, Mechanics- 
town, Md. 


Desiring to obtain an instrument that would combine all 
the desirable improvements in PowER, FULLNESS and SWEETNESS 
of sound, I am happy to be able to say that I have realized all 
this in the Estey OrGan. Every one who hears it goes away 
pleased. The valuable qualities which this Organ possesses are 
much appreciated; Itisa favorite in our family circle. 


From Rey. S. Y. LEACH, Pastor Fayette Street M. E. Chureh, 
Baltimore. 


The Estey OrGan purchased from you recently charms all 
the lovers of music who perform on it. During the last four 
years I have used Parlor and Cabinet Organs made by other 
celebrated makers, but in my judgment the Estey is superior 
beyond comparison in POWER, BRILLIANCY, and resources for 
various effects. The lex ¥xdtlante is especially admired. The 
instrument you have furnished, encased as 1t is in rosewood, is 
one of the most beautiful I have ever scen. I take great pleas- 
ure in commending the Estey OrGan most cordially to those 
desiring to secure instruments which will give them increasing 
satisfaction. 


TESTIMONIALS. 33 


From Rey. T. J. WYATT, Rector P. E, Church, Millstown, Md. 


1 have no hesitation in saying your instruments command 
MY UNQUALIFIED ADMIRATION. In small compass, and at a com- 
paratively small cost, they afford the best substitute for the 
Grand Organ | have ever seen. 





From E. BURNETT, Sup’t B.S & 8S. College, Baltimore. 


It affords me great pleasure to state that the CoTraGE ORGAN 
obtained from you some months since has far exceeded our ex- 
pectations. Itisa perfect cHARM, possessing at once the sweet- 
est and deepest tone, and adapted to the widest range of music. 
In my opinion the Estry OrGan surpasses all others. I shall 
recommend 1t everywhere. 





From EDWARD ROBERTS, Baltimore, Md. 


The Esrey OrGan I have from you I am pleased to say 
gives every satisfaction. Its sweetness of tone surpasses any- 
thing I have ever heard from a Parlor Organ. 


~ 


From J. W. BUTLER, Baltimore, Md. 


Iam happy to say that the Esrey Corrace OrcGan which I 
purchased of you gives the highest satisfaction. The tone is 
FULL, ROUND and SWEET, and the resources of the instrument for 
various effects are really astonishing. I have no hesitation in 
recommending these instruments to the public as being superior 
to any others in the market. 





From H. WOODVILLE, M. D., Baltimore, Md. 


Having frequently played and heard the Estey OrGan, I 
am convinced that its ronr, roucn, etc., are far superior to any 
other Organ made. The Vox Humana Tremolo is certainly the 
most beautiful imitation of the HUMAN VOICE ever attained by 
mechanical means; and your last improvement, the Vox ¥xéi- 
dante, is truly VONDERFUL in its effects. 





From WM. B. HIDDEN, M. D., Baltimore. Md. 


It has never been my pleasure to examine reed instruments 
combining such purity and sweetness of tone with so much vol- 
ume and variety as the Estey CorraGe Orcan. Every Stop 
seems a new instrument of itself. The Vor Humana Tremolo 
is of simple and durable construction, and a most charming im- 
itation of the human voice, while the ]’o2 ¥uéd‘lanxte, more re- 
cently added, gives your instrument a brilliancy unequalled. Ii 
your sales correspond to the superior excellence of your instru- 
ments, you will hardly be able to supply the demand. 


From FP. H. DURSTINE, Musical Director, Wooster, 0. 


I have been examining instruments for a number of years, 
with a view to finding one that pleased me in every respect, 
and never succeeded until I happened upon the Estey Corrace 
OrGan. It embraces aé/ the excellencies of a superior instru- 
ment to such a degree of perfection that it must be regarded by 
all who hear it asa perfect Organ. Its touch and action are 
delicate and perfect, and its power grand—its tone exquisitely 
sweet—and these combine to make the Esrry without a »éved. 


From GEO. FOX, Organist for Y. M. €. A., Zanesville, 0. 


I most cheerfully recommend the Estey Oran to all per- 
sons wishing to buy a good instrument, it having precedence 
above all others in sweetness and quality of tone, and being 
more durable than many others. Having used them for years, 
1 speak from experience. 4 


eT 


From L, ADELAIDE SPENCER, Somerset, 0. 

As Orgamist and Teacher of Music, I have been led to ex- 
amine closeiy Organs of various manufacturersybut in sweet- 
ness of tone, volume of sound and ease of action none excel or 
even equai the Estey Corrace Orcan, for which I take pleas- 
ure in Stating my decided preference. 


— — 
OS 


From WM. JACKSON, Instructor in Band Musie, &e., Somer- 
set, O. 
I have been intimately acquainted with the tone of your 
Corrace OrGans for the last three years, and I take pleasure 
in stating that I think it excels that of any instrument of the 


kind made, and I would cheerfully recommend them to all 
lovers of good music. 


From Rey. G. W. BURNS, Pastor First Methodist Church, East 
Liverpool, 0. 
The Estey OrGan purchased from you for our Church and 
Sabbath School more than fulfils the promise of your agent. It 
is universally admired. May you sell thousands of them. 





From Rey. M. MUELLER, Pastor Reformed Chureh, Galion, 0. 

The Esrey Corrace OrGaAN you sent me pleased everyone 
who heard it, and I was much pleased with the sweetness, 
roundness and Organ-like tone. The lox ¥xédrlante exceeds 
anything that 1 have heard in reed Organs. 





—— 


From Rey. L. HALL, Pastor 8. Street M. E. Church, Zanes- 
ville, 0. 


It affords me great pleasure to speak well of the Estey Or- 
GAN. Ihave been familiar with all the leading manufacturing 
Co,’s in this country, and most unqualifiedly I record my testi- 
mony in favor of the Estey Co.’s. Their instruments are more 
durable, sweeter, richer and more musical in tone than any 
other instruments now in the market. I have had them in 
Churches over which I have been pastor for the past several 
years, and they gave universal satisfaction to Organists, Choirs 
and Congregations. As instruments to accompany the human 
voice in song, I do not believe their suPERIOR IS TO BE FOUND 
IN THE worLp. I have yet to find any one dissatisfied with the 
Estey OrGan who has given it a fair trial. 


From Rey. €, 0. PARMENTER, Pastor F, W. Baptist Church, 
Larue, 0. ; 


I feel that it is my duty to the community at large, as well 
as to you, gentlemen, to say that some of us are rejoicing ina 
kind of a musical millennium here in Marion County, Ohio. 
Having for years been the dupes of common and inferior in- 
struments, the introduction of your elegantly finished and in- 
describably sweet toned instrument is like entering upon a new 
era. The critic has no words of condemeation, and the fortu- 
nate owner no language to express his satisfaction. One needs 
only to hear to be captivated, and own to fully enjoy. 


GrenTLemMeN— After a trial of nearly three months, it affords 
me great pleasure to express to you my grateful thanks for the 
very excellent and superior Organ you sent me, for private use. 
Its rich and mellow tones can scarcely be distinguished from a 
good pipe Organ, of at least three times its cost, an excellence 
so seldom found ininstruments ofthis class. Its superior voicing 
and perfect tuning, together with its admirable arrangement 
and combination of Stops, make it without exception the most 
perfect and fascinating reed Organ that I ever saw. I expected 
a very fine instrument, but my expectations are more than real- 
ized. Please accept my warmest thanks. 


—_—- 


From GEORGE BOWMAN, Shelby, 0. 


i have sold reed instruments for ten years, but I know of 
none that possess so many valuable qualities as your Organs. 


—_ —— 


Vrom J. W. DOLLERON, M. D.. Somerset, 0. 


GENTLEMEN—I have listened with delight to the aaa 
your Organs, and performed on them frequently 9° Se=amm 
years, and must conscientiously give them the praise “9a = 
other Organs in this country. 





34 J. ESTEY & COMPANY. 


Froy THOS. M. WRIGHT, New Providence, Ind. 

Would say in reference to the Esrry OrGan | bought of 
you that it isa good one. There are two or three other Organs 
here, of different kinds. I think my Esrry superior in tone to 
any of them. 


—- 


From H. I. PROCTOR, Organist Union Park Congregational 
Church, Chicago, D1. 


I take pleasure in recommending to those who may be de- 
sirous of purchasing an Organ the Estey CoTTaGr ORGANS. 
In tone and workmanship they are all that could be desired, 
and are well worthy of the high opinion in which they are held 
by all good musicians. 





From FRANK €. HATHEWAY, Organist Church of our Sayiour, 

Chicago, Il. 

It gives me great pleasure to say that the Estey ORGAN pur- 
chased of you in October, 1869, has given universal satisfaction. 
All who hear it like it, and would join me in recommending it 
to any in need of such an instrument. 

Ir 1s THE Best REED OrGaN I KNOW OF. 


—_— - =-—_--- 


From John MeCURDY, Organist Church of the Redeemer, Chi- 

cago, Ml. 

I have come in daily contact with the beautiful Estey Or- 
GANS for some months, and it gives me pleasure to say that, in 
my opinion, they are without exception the finest reed Organs 
made. ‘They excel especially in purity and sweetness of tone; 
respond to the most rapid manipulations, and, in fact, all desir- 
able qualities that go to make it a first-class instrument. 





From Mrs. M. F. WARREN, Teacher of Voeal and Instrumental 

Music, Sycamore, Ill. 

Allow me to say that the Esrry Orcan that I purchased of 
you nearly three years ago is just as good as when I first got it, 
although it has been in constant use all the time. I can cheer- 
fully recommend the Esrry Orcan to all as being the finest 
reed instrument manufactured. Itis very quick to the touch, 
which makes it supeiior for instrumental music, while for sing- 
ing it is unsurpassed, being so near the human voice. 


From Mrs. A. A. DORWIN, Teacher of Music, Sycamore, UL. 


Allow me to congratulate you on the excellency of your 
Estey OrcGans. I have taught music for several years, and 
have used various Organs, of different makes, but none of them 
will compare with the Esrry for sweetness and purity of tone. 


From Z. M. PARVIN, Teacher of Vocal and Instrumental Music. 
Bardolph, IIL. 


The Estey CorraGe OrGan in tone is the most pure. In 
construction equal to any reed Organ I have seen. 


From E, 3. LELAND, Professor and Conductor of Music, Free- 
port, Ll. 


inreply to yous inquiry with reference to the Estey OrGAN 
used at ny convention last week at Dakota, allow me to say, it 
was a No, 21, owned by Mr. J. D. Scumerzer of that place, and 
Iam pleased to inform you that it gave entire satisfaction to the 
members of the convention. The valuable service it rendered 
in supporting the choruses (in which there were one hundred 
and forty voices) was appreciated by all who heard it. The 
heavy, clear pire ORGAN TONES could be distinctly heard even 
in heaviest rorTE passages. We found it equally well adapted 
to accompaniments in solos, also—its tones being even, pure, 
clear and distinct. In an accompaniment to a bird song, an 
echo was produced which reminded one of the delicate tones 
of the piano, thereby showing the variety of tone that can be 
produced upon the Estey Orcan. Fox all purposes I consid- 
ered the Estey ORcAN supe2s.or 4. any I have ever seen, being 
equally well adapted to the UWnurch, Parlor or Concert Hall. 


From Rey. D. 'T. JOHNSON, Pastor of the Presbyterian Chureh. 
Hyde Park, Il, 


It givesNne pleasure to testify to the excellence of the Estey 
ORGAN purchased of you nearly three years ago. Sufficien 
time has elapsed to test the durability of its workmanship, and 
the delicacy, purity and power of itstone. In all these respects 
it has entirely :atisfied us. It has made our home more cheer- 
ful by its outward beauty, and more happy by its sweet music. 


From Rey. D. B, BYERS, Freeport, Il. 


Having had the Estry OrGan in my house for three years 
past, and haying had opportunities to compare it with various 
other Organs, I am fully satisfied that for durability, range of 
sound, depth, softness and sweetness of tone, it is not surpassed 
by any Parlor Organ of modern times. 


From Rey. GEO. P. GUILD, Pastor Baptist Church, Kinder- 
hook, U1., formerly an Organist in a prominent Church. 


l very reluctantly ordered a Corrace OrGaN, as agents of 
rival firms have represented them as second or third-class in- 
struments. When it came I examined it very carefully, and 
found its material and workmanship first-class throughout. Its 
deep, full, yet smocth and mellow tone more nearly resembles 
the pipe Organ than any reed instrument I have ever heard. It 
seems to me the combination of Stops is perfect. The Ver 
Humana and Vox Fubilarxte are gems. The Organ combining 
sweetness and power adapts it alike to Church and parlor. 


From WM, HUMMES, Petersburg, M1. 


The Estey OrGan, No. 21, I bought of you for St. Peter's 
Church last year gives entire satisfaction. All the members of 
the Church and also other musicians were astonished at the 
power and sweetness of the instrument. I recommend these 
Organs to every congregation and society not able to purchase 
a Pipe Organ. 


From E, C, SMITH, Principal of High School, Dixon, Il. 


I have examined and tried thoroughly the Estey CotracEe 
ORGAN, and am highly pleased with the smooth Organ-like 
tone of the reeds, and think them equal to anything I have ever 
played upon. The 7emelo of the Estey is, in my opinion, as 
near a perfect imitation of the human yoice as J have ever 
heard—the effect is excedingly fine. The delicate and extreme 
quickness of the touch I have never seen surpassed in any in- 
strument, and the ¥xudzlante Stop is really the sweetest and 
nearest the flute-tone of anything I have ever known in a reed 
instrument. I think, on the whole, the Estey Orcan is not sur- 
passed by any Organ known in this section of the country. 





From bd. L. MOODY, Pres*t ¥. M, C. A., Chicago, tl. 


It gives me great pleasure to add my testimony as to the 
sterling qualities of the Esrry Orcanx we obtained from you 
some time since. Its sweetness of tone and remarkable volume 
are particularly desirable. 


From ». JONES. Bowling vreen, Ind. 

The wsreyx ‘ pought of you two years ago is a VERY 
fine toned instrument. A number of excellent performers have 
pronounced it equal if not superior to any they have seen. 


““ROAN 


From EFFIE D. HAVENHILL, Newark, Il. 


Iam pleased to inform you that we are not only satisfied 
with the Esrry Orcan we purchased of you, but we think it 
perfectly admirable. Our musical friends give it unbounded 
praise, and we could not be induced to part with its richly 
sweet, and round, full tone. Our first impressions are more 
than realized. 





TESTIMONIALS. 35 


From H. W. HANSON, Belleville, Ill. 


Iam well pleased and cannot be better satisfied with the 
Organ which I purchased of you some two years ago. It has 
never been out of order. Its softness and melodious tone excels 
everything else I ever saw in an Organ. 


From L. A. BABCOCK, M. D., LL.D., Freeport, Ill. 


I have had in my house for the past two years one of the 
Estey OrGans, with which Iam very much pleased. The in- 
strument seems to be perfect in manufacture, very rich and fine 
in tone, and I know of no other like instrument which gi, 2s 
such variety of tone or more durable, or better adapted for 
family use—preferable in many respects to a piano. 





From JOHN W. PICKARD, Eleroy, Il. 

The Estey OrGan purchased of you nearly a year ago 
gives the highest possible satisfaction. For variety, clearness, 
sweetness and purity of tone it excels all others I have ever 
seen. I shall advise my friends to buy the best, which is the 
Estey. 

From L, E, PRESTON, Esq., Principal of Public Schools, Da- 

yis, Ll, 

I take pleasure in adding my testimony in favor of the Es- 
tery OrGcan. Itisa perfect instrument, possessing at once the 
sweetest and deepest tone, and weit adapted to Church and 
parlor music. In my opinion it is unsurpassed. 


ee 


From I. F. KLECKNER, County Superintendent of Schools, 
Freeport, LL. 


I have been acquainted with the Estey OrGaN several 
years, and I take pleasure in saying that, in my judgment, its 
purity and sweetness of tone are unsurpassed, and its durability 
unequalled. 


From M, H, MeCHESNEY, Organist, Pontiac, Mich, 

The instruments manufactured by the Esrey Corrace Or- 
Gan Co. are in every particular the finest reed instrument I 
have cver used. 




























From JAMES E. STEWART, Pianist and Composer, Detroit, 

Mich. 

I consider the Estry OrGan the best reed instrument now 
manufactured, and combining, as it does to a certain extent, all 
the essential points, effects, ctc., of a pipe Organ, think it is the 
most available one in use for the family circle. The peculiar 
Srilhancy and beauty of tone, combined with quickness of ac- 
Sen, renders it, in my estimation, superior to all others in the 
market; in fact itis the ONLY REED INSTRUMENT I CARE TO PLAY 


=. 


Trem Rey, J. G. SPOONER, Cedar Springs, Mich. 


Ihave no hesitation in saying your Organ commands my 
ee=qualified admiration tor Church and parlor music. In short, 
) think the Esrey Orcan has no superior. 


trem Rey. J. G. WHITCOMB, Lexington, Mich. 

lam fully persuaded by what I know of the Estey Cor- 
weet OrGan that they are #4e Organ, possessing a superiority 
ewer all the variety of Organs I have yet found, because it 
Sembines sweetness and power to the tone in an unusual de- 
mee For parior use it excels all other Organs—those grating 
Sess so frequently found in Organs being dispensed with, to 
ee ereat satisfaction of all. For Church use it excels all others. 
» = this section say but one thing who have Organs, and that 
» © Lhad not got one I would have an Estey. 


Sonn S. J. HAYES, VY. D. M., Romer, Mich. x 


“eving used Estey’s Cotrace Orcan about two years, I 
~ my duty to say to the public that it has given entire satis- 
For quality of tone, harmony and power, I have not 
‘pend its superior. 


From the ADELPHI SOCIETY, Albion College, Mich. 


Two months’ trial have demonstrated that we have a gem; 
in sweetness of tone it has no equal; in fact some of the best 
musical ta’ent in ne State has passed judgment upon it, and 
declare it unecja"ed When I say we are satisfied I but feebly 
express the ce7 that we feel in the possession of it. 


From Hon, P, R. L. PIERCE, Grand Rapids, Mich. 


Thereby certify that I have had some acquaintance with 
the Esrry OrGan, and am using one of eight Stops, two banks 
of keys, and other improvements, purchased three years ago, 
and it gives unqualified satisfaction. I consider it very superior 
in tone, and do not know that it could be bettered in that res- 
pect. The reputation of the Estry OrcGan is well established. 


From Dr, J. M. SWIFT, Northville, Mich. 


It is with pleasure that I recommend the Estzy OrGan as 
being in many respects the nearest perfection of any manufac- 
tured. Their powzr and swreTNess of tone has as yet been 
unsurpassed, Its combination of Stops and delicacy of touch 
fits it alike for the Church, the Concert Hall and the Home 
Circle, 


From Mrs. S. YANDENBURG, Teacher of Music. and Dealer in 
Musicai Instruments, Eldora, Lowa. 
lam delighted with the Estry Orcan. I have sold a few 


obtained of you through Kreter & Co., Cedar Falls, and they 
give entire satisfaction. I prefer it to any Organ I ever used. 





From Rey, PETER 0°DOWD, Pastor Catholic Church, Ackley, 

Iowa. 

The Estey OrGan which we have received gives very good 
satisfaction. For power and sweetness of tone, flexibility of 
touch and truthfulness of workmanship all are agreed that, for 
the size, it cannot be easily surpassed. 

I think the Esrey Orcan bears out its characteristics to 
perfection. 


From Rey. W. LEASE, Pastor First M, EF. Church, Indepen- 
dence, Towa. 


The Estey OxGan purchased of your agents for our Church 
gives unbounded satisfaction. It has been in use now about 
one year and a half, and we find it to be a superior instrument. 
For softness, sweetness and fullness of tone 1 think it unsur- 
passed by any other in the market ; as well, also, as for variety 
and promptness of expression. The Vox Humana and ¥udi- 
fante Stops are not equalled by any instrument I have heard, 





From Rey, F. M. ROBERTSON, Pastor First M. E. Church. 
Hampton, Lowa. 


The fine Pipe-top Organ which has been placed in our new 
Church and thoroughly tested, Gives THE MosT EXCELLENT AND 
UNIVERSAL SATISFACTION. 

[also have in my own rooms a fine Parlor Organ, manu- 
factured by the same company, J. Estey & Co., Brattleboro, 
Vt., which, for sweetness and beauty of tone, I think 1 have 
never heard equalled. From several years’ knowledge of the 
Estey OrGan I do not hesitate to say that it is every way wor- 
thy of its enviable reputation. 


From R. W. KEELER, Secretary Upper lowa Conference, Cedar 
Falls, Towa. 


As you have furnished many of the Churches within the 
bounds of the Upper Iowa Conference with the celebrated 
Estey OrGan, manufactured by J. Estey & Co., Brattleboro, 
Vt., [take pleasure in assuring you that, so far as I have any 
information, they have given in every instance entire salistac- 
tion. They are universally commended for fullness and sweet. 
ness of tone, and for their compass and power. They are re- 
presented, wherever used, as all that any ordinary Church 
needs to lead either choir or congregational singing, and are 
believed to have no superior in the market. 


. 


36 J. ESTEY & COMPANY. 


From Rey. €. H. COREY, Missionary Teacher, Richmond, Va. 

Weare all delighted with our new Cabinet Organ, manu- 
factured by J. Esrey & Co., of Brattleboro, Vt. One professor 
of music pronounces it ‘*most excellent;’’ another says, “I 


never heard an instrument with more sweetness and softness of 


Lone, ’ 


From JAMES A. DAVIS, Prof. of Natural Science, Emory and 

Henry College, Va. 

The Estey CottaGe OrGan, with the improvements, pur- 
chased of you last spring, comes fully up to your representa- 
tions in its performances, It is a favorite from which we could 
scarcely be induced to part. 


From ROBERT FRAZER, Oakley, Va. 


The Estry OrGan has come in first-rate order. We are all 
delighted with it, and we fecl under special obligations to you 
for having sent us just the instrument we wanted. 


From J. M. MILLS, Frankfort, Ky. 


Tue Esrey OrGaAN purchased from you in 1869, for our 2ub- 
lic School, is a model instrument in every particular. Thor- 
oughly competent performers pronounce it superior, and it an- 
swers our purposes most admirably. Our Music Hall isa large 
one, and the Organ fills the room with distinctness and force, 
and keeps in excellent order, 


-—_—_-——_—-—— 


From H. ALBERT COTTELL, Organist First Baptist Church, 
Louisville, Ky. 


Having thoroughly tested the merits of your new Estey 
OrGaAn, I take pleasure in saying that I consider it in all res- 
pects equal and in many points surerior to any reed instru- 
ment in the market. The ease with which its air supply is 
maintained ; the smoothness and equality of its tone; its ready 
response to the touch; the elegant voicing of its Fancy Stops, 
and the perfection of its general mechanism must make it a 
special favorite with Organists,. 


——_— 


From BE. W. ELROD, Organist Chestnut Street Baptist Church, 
Louisville, Ky. 





The Esrey OrGan purchased by Chestnut Baptist Church, 
for the use of the Sunday School, 1 am pleased to say gives en- 
tire satisfaction. In fact I consider the Estey OrGan superior 
in every respect to all others. 


From JOS. ¥. MORTON, Shelbyville, Ky. 


The Esrry OrGan bought of you last fall has been a source 
of great pleasure to me. I have owned several reed instru- 
ments and examined others thoroughly, but have found none 
equalling the Estrry in quality of tone or in power, for anything 
hke the same price. 


SG 


From J. 8. MALONE, Louisville, Ky. 
The Estey OrGaNn purchased of you over a year ago gives 
entire satisfaction in every particular. 


From BOONE LODGE, No. 1, 1. 0. 0. F., Louisville, Ky. 


After several months’ trial, we do pronounce the Estrry 
OrGan to be all that we could desire as an Organ, its tone 
being deep, rich and powerful. 


el 


From L. 8S. JOHNSTON, Recording Scribe Pioneer Lodge, No. 
$, Knights of Pythias, Louisville, Ky. 


l am instructed by Pioneer Lodge, No. 8, Knights of Py- 
thias, to inform you how we are pleased with the Estry Orcan 
purchased of you some months ago. It gives entire satisfaction 
and 1s everything it is represented to be. 


From H, J. HULCEE, M. D., Louisville, Ky. 


The Organ manufactured by you for me was delivered 
safely. I have compared its merits, side by side, with others 
of similar make and power, and do not hesitate, after an im- 
partial trial of both, to state that your Organ Is in all essential 
points infinitely superior to every and all others that I have 
everseen. You modestly said you thought I would be pleased. 
I will say briefly to you that I am more than pleased. I] am 
delighted with its Dzafason capacity, great power, sweetness 
and brilliancy, elastic touch and perfect equality of tone, 





From J. H. H. WOODWARD, Louisville, Ky. 


The Esrey CorraGe OrGan with which you furnished my 
family about two years since has been the source of much 
pride as well as delight. Pride for its excellence and unexcelled 
character as an instrument, and delight such as all lovers of 
good music invariably experience when the ear 1s charmed with 
the faultless melody of a beautiful and rich harmony which the 
Estey never fails to inspire. 

Before choice of instruments was made,a fair test of the 
capabilities of the Estey and other Organs was had. The in- 
struments were brought side by side and operated by two 
prominent professors of music, neither of whom was interested 
in the result, and their judgment was unreservedly in favor of 
the Estry. I must say that, so far as my knowledge extends, 
based upon the expression of opinion by competent judges, the 
Estey CotraGe OrGaAN stands not only unexcelled but unn- 
valled in its character as a musical instrument, and I may add 
that the one we have has always been a * pet”’ in the family, a 
‘household treasure,” not to be parted with on any account. 


From J. W. PARSON PRICE, Louisville, Ky. 


The Estey OrGan which you sold me about two years ago 
gives entire satisfaction. It wears better than any Parlor Or- 
gan | ever tried, notwithstanding its having been used almost 
daily since I bought it. The rich quality of its tone, together 
with the beautiful combination ot Stops (esfeciadly the Vox Fu- 
éiZante, which I deem the best imitation of the human voice), 
renders it superior to all cther Parlor Organs. 

Please accept my sincere thanks for advising me to select 
an Estry. 


From the SISTERS of St. Peter’s Orphan Asylum, Tenn. 


We wish to express our highest satisfaction with the Estey 
ORGAN we are using. We think it cannot be equalled by any 
other manufacture. 


From the SISTERS of St. Agnes Academy, Tenn. 


The Estey OrGaAN now in use in our Institution is unsur- 
passed for real merit. We wish to convey to the public our 
high appreciation of its tone, finish and all its appointments. It 
is far superior to any others we have ever seen. 


——————— 


From JOHN WILLIAMS, Pres’t Wes, Fem, College, Browns- 
ville, Tenn. 


I take great pleasure in adding my testimonial to the excel- 
lence of the Estey OrGan. It gives entire satisfaction, and in 
strength and sweetness of tone it cannot be surpassed. 


From SISTERS OF MERCY, U.S. Marine Hospital, Portland, 
Ark. 


We are much pleased with the Estey OrGan purchased 
from you some time ago; its power and sweetness of tone 
combined excels anything of the kind we have yet heard. 


From CHAS. F. HARVEY, Van Buren, Ark. 


The Estey OrGan I purchased of you for the use of our 
Church 1 am much pleased with, and it has given general satis- 
faction to our people. 








TESTIMONIALS. 37 


—EEE 
—_—-- - 


From CHAS. BLANKE, Organist First Presbyterian Church, 
(German,) Drake, Mo. 


I take pleasure in stating the Estry OrGan, Style 2x, arrived 
Without a mark or blemish, and has been thoroughly tested by 
our Congregation, with entire satisfaction. Some of them have 
Organs of other first-class makers, but all are unanimous in 
giving the Estey the preference. Its deep, pervading, Pipe- 
Organ quality of tone I never before heard in any other make 
cf Reed Organ. The Vox Humana and Vor $udilante Stops 
to me have the finest effect ot the late improvements in Organs, 
reminding the listener more of celestial than terrestrial melody. 
I can with confidence recommend the Esrry. 


From Rey. J. WESLEY JOHNSON, Pastor Sixth Street M. FP. 
Church, St. Louis, Mo. 


The Estey CorraGr OrGaAN I purchased of you some months 
since gives entire satisfaction. The fine effects produced by the 
Vox Hiumana and Vox Fudilante Stops are beyond description 
in rich varicty of tone. Iam constrained to pronounce, after 
thoroughly testing the many instruments of the day before 
purchasing, that the Esrry OrGan is a perfect success, and for 
mechanical and musical reasons a standard instrument for 
Church or Parlor use. Combining within the same space 
greater volume, greater varicty, a perfectly sweet and musical 
tone, a fine, prompt and durable action, great strength and last- 
ing qualities from their mode of construction, and less liability 
o get out ot order than any other style or kind of instrument of 
he class. 


‘rom J. & ¥. WILLIS, Music Dealers, Hannibal, Mo. 


We consider your Organs beyond praise. No other reed 
iustrument that we have ever seen compares with them. They 
are perfect in tone and finish. We are gratified to be allowed 
to express our admiration for them. 


ee 


From LOGAN D. DAMEROU, Pres’t Southwestern Book and 
Publishing Co., St. Louis, Mo. 


This is to certify that I have had in my possession for some 
time an Estey OrGan, and I think it far superior to any Organ 
of its size that 1 have ever seen. It excels in quantity and qual- 
ity of tone,and the combination of Stops gives 1t great expres- 
sion. 1 regard it as the best Organ for Church, School and 
Parlor use, and hereby recommend it to the public, 


——-—— 


From Mrs. F. (©. OAKLEY, Macon, Mo. 


The Organ arrived all right. I was greatly pleased with it 
at the time I saw it in your salesroom ; after using it, even more 
gratified than before, if possible. Its tone is truly charming. 
My neighbors are ali in favor of the Estry. More Organs of 
the same kind will be sold here. 


—_————— 


From JUST. WILLIAMS, Principal Charleston Massical Acad- 
emy, Charleston, Mo. 


The Estey Corrace OreGan that I purchased of you has 
been in daily use some months; much of the time from two to 
three hours a day, in Church, and Academy Choir practice, and 
Chapel Services. It has been subjected to much rough use, but 
stands it all remarkably well. Not acent has been expended 
in repairs. It is admired for its sweet, even, round tones. Its 
power is great, and its quickness of touch is remarkable. In 
short, it gives entire satisfaction. 


——_—_——. 


From CHAS. B. COX, Publisher ** Old School Presbyterian,” 
St. Louis, Mo. 


The Estey CorracGe OrGan purchased of you mects our 
fullest expectations. All who have tested it speak of it in the 
highest terms of praise. I take pleasure in recommending it to 
the public. 


——s 
————=» 


From T. HAYWOOD, St. Louis. Mo. 


The Boudoir (Estry) Organ I purchased from you gives 
perfect satisfaction, and is all that you represented it to be. 
For purity of tone and delicacy and promptness ef touch it is 
all that can be desired. For powerand bniliancy I have never 
used an instrument of its size to compare at all with it. After 
a long use of instruments of that class in public and private, I 
am free to say that, in my judgment, itis superior to any I have 
ever used. The Stops, lox ¥uézlante and Vox Flumana, are 
great improvements long needed. The latter especially is a 
great improvement over the old Clap Board Tremolo, usually 
tound in such instruments. The style of the case and general 
appearance is really beautiful, and much admired by my friends 
who have seen it, Itis well adapted for a well-furnished par- 
lor. I shall take great pleasure in recommending the Estry 
ORGAN to my friends. 


—— ———. 


Drom E. A. ANDREWS, Springfield, Mo. 


Tam always ready to testify to the excellencies of the Estry 
OrGAN. Its evenness of tone and combination of valuable im. 
provements for expression make it the first among reed instru- 
ments, 


From S. LATHROP, Leader of the First Congregational Church 
Choir, and Mrs. E. COLEMAN, Organist of the First Con- 
gzregational Churc 1, Grass Valley, Cal. 

Having purchased and used two of the Estry & Co. instru- 
ments the past year, we confidently recommend them, being 
satisfied that, for purity of tone, excellence and durability of 
construction, and the pleasing effect produced by the various 
combinations of Stops, they are unsurpassed by any instrument 
ot the kind now in the market. And we would especially re- 
commend for Church purposes the instrument with the ¥xdz- 
lante Stop, as it destroys the reedy tone, and presents itself as 
competitor for Church purposes with the Pipe Organ. 


From ALBERT L. SUMNER, Teacher of Piano and Organ, San 
Francisco, Cal. 


You may remember how prejudiced 1 was against the Es- 
TEY OrGans when you first spoke to me about them. I was like 
other people, I suppose, who don’t like what they never tried, 
and ** condemn on sight ;’’ but now that I have used the Organ 
obtained from your establishment nearly a year, I think J] ought 
to confess to you how greatly my opinion has changed, and 
how thoroughly I have been converted. I now think,and most 
sincerely say that the Esrey Orcans are vastly superior to any 
other, and those of my pupils who have other instruments are 
unanimous in their unqualified praise. Some of them who live 
quite near me insist upon coming to my rooms, because they 
want to play on ‘‘that beautiful Organ.” 


From J. T. RICHARDS, Santa Barbara, Cal. 


The Organ which I purchased of you some six months ago 
for the use of the Catholic Church of Santa Barbara, fully meets 
if not surpasses the expectations of our people. I have never 
heard a Cabinet Organ that combined a tone so sweet with 
such great power and volume. Besides the fine quality of tone 
it possesses, the instrument isa most handsome ornament, being 
richly and tastefully finished. 


—- —__ __ 


From JAS. B. JOHNSON, Gilroy, Cal. 


Our Organ has given unbounded satisfaction. Our Organ- 
ist, Who has had long experience as a Teacher of the Organ and 
Piano, both in this State and in the East, says it is the best in 
strument she ever played. 5 

We have congregational singing, led by a strong choir, and 
find the Organ amply powerful to fill the Church. This cannot 
be said of some others, having had occasion at one time to ex- 
change a $600 of another make for a $300 Estey, finding the 
former entirely inadequate to fiil the Church. 


Al 


38 J. ESTEY & COMPANY. 


From Rey. W. L. JONES, San Juan, Cal. 


Nearly a year ago, I bought an Estey OrGan of five oc- 
taves with four Stops. It has been used in our Church ever 
since its receipt, and gives universal satisfaction. Its tones 
are peculiarly fulland rich. I know of no instrument of the 
kind that 1 should prefer to it, either for the Church or the 
Parlor. 


From Rey, C. PARK, Pastor Westminster Presbyterian Church, 
San Francisco. Cal. 


Iam not at all able to give you a competent criticism of 
the merits of the Esrry OxGan which you put into the West- 
minster Church, but, judging from my stand-point of know- 
ledge, I cax add a word of hearty commendation. My people 
are greatly pleased with the instrument, and, having had op- 
portunities for contrasting it with others of the kind, unhesitat- 
ingly pronounce in favor of the Estey OrGan. They regard it 
as Superior in the following particulars, viz: purity and sweet- 
ness of tone, its rich and close imitation ofthe Pipe Organ, and 
its remarkable freedom from the common, harsh peculiarities 
of reed instruments, its modulation of power, the unusual grace 
and beauty of its combinations, and the subdued softness of its 
Tremolo. Our people are ready to recommend it as the best 
instrument of its kind now made, and they do so intelligently. 


From Rey. JOSEPH CHANDLER, Coaticecok, P. Q. 


lam perfectly satisfied with the Orgaa I bought, manufac- 
tured by Estey & Co, It has afforded great pleasure to the 
children. ButIdo not rely so much on my judgment of its 
merits as that of others who have tried it, and who have pro- 
nou=ced it a first-rate toned instrument, especially one lady 
who was Teacher of Music in an Institute for years, and who 
still teaches. 


From Rey. E. S. SHOREY, Wesleyan Minister, Amherstburgh, 
Canada. 


1 take pleasure in giving my testimony as to the excellence 
of the Esrry Corrace OrGan. In power and sweetness of 
tone, in quickness of response to the touch, as well as in its 
mechanical internal arrangements, it is decidedly and suferla- 
éively superior to any instrument of which I have knowledge. 
It secms to me that it isas near perfection as any instrument of 
the kind can be. Scarcely an hour after my return home with 
the Organ which I bought of you, the most experienced player 
in the place came in to try it. Almost upon the very first re- 
sponse of the instrument she exclaimed: ‘* My, isn’t that de- 
lightful? I could play all day on that instrument!’ All who 
have heard are pleased with it. 


From Rey. JOHN FOSTER, Rector, and AMOS K, FOX, Choir 
Master of St. Stephen’s Church, Coaticook, P. Q. 


The Estey Orcan, No. 21, which the Warden’s of St. Ste- 
phen’s Church, Coaticook, purchased from you three years ago 
has given the utmost satisfaction. Its full, rich tones are not 
the least injured by the great changes in our climate. It even 
exceeds, in every respect, the guarantee which you gave us 
when we bought it from you. 


From J, FREDERICK CARR, M. D., Incumbent of Durham, 

Alyerton, Canada, 

I have great pleasure in expressing to you my satisfaction 
with the Organs from Esrry’s manufactory which you have 
placed in my Churches. lam particularly delighted with the 
last one —No. ar. 

I can say confidently that the Estey OrGan is very and 
deservedly popularin this section of the townships. 


From DAVID GRANT, Kemptyille, Canada, 


Yours of the 16th came to hand, and in reply would say 
thatJ. Estey & Co.'s OrGan is all that could be desired. Itis 
far beyond my expectation. : 


From STANISLAS J. DOUCET, P. P., Richibucto, N, B. 


Accept my thanks for the beautiful Estey OrGan you sent 
me, which gave me entire satiSfaction. 1 had been Jed to ex- 
pect much, but1 am happy to say that it far surpasses my ex- 
pectations, 

A musical instrument such as the Estey OrGan, style 21. 
must be heard to be duly appreciated. It is indeed a very su- 
perior intsrument; superior in power, variety and richness of 
tone to any of the kind I ever tried or heard before. 


From Rey. J. PORTER, Danville, P. Q. 


Itis much to your credit as an adept in music that in the 
extensive sale of the Estey instruments which you have sold 
throughout this region of country for years, thatI have never 
heard a complaint, but have always heard them highly spoken 
of by all who have used them. The instrument we had of you 
is acknowledged by all who have heard it to be the best in the 
place. It is soft toned and easily played. 


From W. A. PLAUTZ. Dominion of Canada, Province of Ontario. 


For nearly three years I have had one of your CortaGr 
ORGANS in my residence. It has been the source of the most 
exquisite pleasure,and has given most perfect satisfaction. 
Together with apparent durability of the instrument and the 
volume of music it gives forth, it cannot be surpassed. The 
modern improvements, more particularly the Vor /wmana 
Tremolo, are perfectly enchanting. It has been tested by mu- 
sicians of considerable talent, and has been universally pro- 
nounced a combination of perfections. 


From ©, P. CLEVELAND, Richmond, P. Q. 


It affords me much pleasure to bear testimony to the supe- 
rior excellence of the musical instruments manufactured by 
Messrs. Estey & Co., of Brattleboro, Vt. Having purchased 
one of their Corracr OrGans, in 1865, I find it to-day in as per- 
fect tune and in as thorough condition in every respect as the 
day I boughtit. And although it has been in daily and almost 
constant use for the last six years, it has never been out of tune 
or repair, and in quality of tone is superior to the day it was 
first used. Before purchasing 1 examined and tested several 
instruments by the best makers, but gave the preference to 
those of Estry & —o., and have never seen cause to regret 
having done so. I would not to-day exchange my instrument 
for a new one of any other manufacture, no matter how costly. 


From JOHN MANNING, Violinist, late of the Royal Academy 
of Music, London, England. 


With much pleasure I reply to your request for my opimion 
of the Estey Corrace OrGax. Having tested and used differ 
ent Reed Organs since my arrivalin this country, I am con- 
vinced that the Estry combines more fower and purity of tone 
than any other. The Aumana and $ubtiante Stops make it 
the perfection of all reed instruments. Asan accompaniment 
to the voice, it cannot be excelled. 


From W. F. WILLIAMS, Organist and Choir Master St. 
Gecege’s Church, and Musical Editor N, Y. Evening Post, 


I have to thank you for the ample opportunity you have 
given me of testing the Esrrey OrGan. The instrument since 
it has been in my room has been heard by such artists as ANNA 
Bisuor, Ronconi, CLarA PERL, Madame VARRAN, HOFFMAN, 
Errani, and many others, besides a large number of lady and 
gentlemen amateurs. Almostallof those present at my private 
musical soirees have expressed, voluntarily, their warm ad- 
miration of the instrument. 


Asasolo instrument, with piano accompaniment, its re- 
sources are wonderful. 





aw 


TESTIMONIALS. 39 


From Rey. (, W. HEISLEY, Pastor M. FE. Church, Trenton, N.J. 


Ihave had in use in my family one of Esrry’s Instruments 
forten yerrs. Itisas sweet and mellow toned as ever, and is 
believed by my family and our friends to be superior to any 
other make that we have ever seen or heard. 


From Rey. G. K, MORRIS, Pastor M. BE. Church, Salem, N, J. 


We have used the Estey OrGan for over five years. In 
tone, action and wear it has given great satisfaction. The 
older our acquaintance becomes, the more confirmed are we in 
our preference for the Esrry. 


From J, H. STANGER, Glassboro, N. J. 


I have used the Estrry Instrument 1 bought of you twelve 
years ago constantly. I like it better than any other instru- 
ment I have ever seen. 


From ©. K, FLEMING, Pastor First M. E. Church, Borden- 
town, N. J. 


The Estey CorraGe OrcGan which I purchased some three 
years since is first class, and after fair and full trial by profes- 
sors and learners, I take great pleasure in saying that it gives 
entire satisfaction. 1 most cordially recommend the Esrry 
ORGAN. 





From +. Ss. YOUNG, Milford, N. J. 


Having used one of the Estey OrGans for seven years, it 
gives me pleasure to be able to say a word respecting it. It 
has never been out of order, and I have found it to be just as 
represented - first-class in every respect. I think any person 
of ordinary judgment cannot fail to perceive the general supe- 
riority of tone, action and workmanship, upon the slightest ex- 
planation. 


es 


From Rey. R. THORN, Pastor M. E. Chureh, Trenton, N. J. 


I have used my Organ five years, and for durability, and 
sweetness and richness of tone, believe it cannot be surpassed. 
The universal testimony is to the richness and fullness of the 
Organ. 


———— 


From J. S. MILLER, Wilmington, Del. 


We are per.e- ..y satisfied with the Estey OrGan purchased 
from you, and can recommend it to be all you claim for it— 
superior all others. 


From Rey. Wm, B. CILLISS, Pastor Washburn St. Pres. 
Church, Seranton, Pa. 


I have used the Estey Corrace OrGan for nine years, and 
consider it superior to all other instruments of its class, either 
for the Parlor or the Sabbath School. 


—_— 


From Rey, A. E. BALLARD, Presiding Elder Bridgeton 
District M. E. Chureh, Bridgeton, N. J. 


The Estey OrGAN3 are extensively used in the Methodist 
Episcopal Churches and Sabbath Schools in Bridgeton Dis- 
trict, and in their sweetness and purity of tone, as well as 
volume of sound, have given the fullest satisfaction to the con- 
gregations. 


a 


From Rey. JAS. F. BROWN, Pastor Baptist Church, Piseat- 
away, N. J, 


A CotraGE ORGAN, ptirchased of you nearly two years 
o, has been 1n almost daily use in my family ever since, and 
im all respects, in as good a condition as when it came from 
your rooms. All who have heard it have expressed unqualified 
admiration ofit. I know of no instrument of the kind superior 
to it in richness and brilliancy of tone, and capability of modu- 
lation. I uniformly recommend the Esrry CorraGe OrGans 
to my friends. 


From Dr. JOS. E. PARKER, Philadelphia, Pa. 


I have used the Estey Casiner OrGan for about four 
years, and I think for sweetness, combined with much power, 
as well as freedom from any harsh or reedy tone, they excel 
all others that | have seen. 1 take much pleasure in recom- 
mending them to all who may wanta superior instrument in 
every respect. 


From Rey, K. WALLING, Burlington, N. J. 


We have had the Estey OrGan in use in our church about 
four years, and I take pleasure in stating that the instrument 
has given entire satisfaction. 


From Rey. W. 8S. BARNART, Pastor M. E. Church, Williams- 
town, N. J. 
For several years I was the possessor ofan Estey CorraGEe 
OrGan, the tone of which was very highly prized by myself 
and many others. Indeed, it was generally commended. 


From Rey, B. H. THOMAS, Reidsburz, Clarion Co., Pa. 


Desiring to purchase an Organ for the use of my family, I 
very carefully and leisurely examined and compared a number 
of the most reputable make. I purchased an Esrry Cotrace 
ORGAN, regarding it in several respects decidedly superior to 
any 1 examined. Its constant use for the past four years has 
rendered the most unqualified satisfaction, and fully justified 
my preference. I prefer it to any other Reed Organ with 
which I am acquainted. 


——— 


From Dr. B, CLIMENSON, Philadelphia, Pa. 


I have had one of Estey’s Corracz OrGans in use in my 
parlor for about three years, and I am free to say that I have 
never seen any that! like so well, and would not exchange it 
for any that I have ever tried. 


From A. A. MEADER, Sup’t Pub. Schools, Chester, Pa, 


As Teacher of Music,and Organist for several Choirs, 
during the past ten years I have had an opportunity to test the 
merits of a number of instruments of different manufacture, and 
have no hesitation in saying that I know no style of Organ that 
1 would prefer to the CotraGe OrGan of Estey & Co., now in 
the market. 


—_ 


From W. W. WOODRUFF, Bellevue Institute, Attleboro, Pa. 


Iam more than pleased, | am delighted with the Esrry 
ORGAN which I purchased of you some six weeks since ; and 
in saying this I but repeat the expressions of all who have 
used it or heard it. 


ee 


From A. H. LUNG, Pastor Third Baptist Church, German- 
town, Phila. 
We have used Esrey’s CotraGE OrGAN in our Church and 
Sunday School forthe last two years, and believe that it 1s ex- 
celled by none. 


-_————- 


From W. T. DODSON, Muhlenburg, Pa. 


I have used the Estey Cotracre OrGaN nearly seven years. 
I have examined every other kind, and find :fone to equal any 
one of the Estry tones. Its sweetness is remarkable, its deli- 
cacy astonishing, and its power wonderful. It is my opinion 
that much talent will be exhausted before its equal will be 
found. 


From H.S. NORRIS, Elmer, Pa. 

i most cheerfully record my testimony in favor of the 
Estey OrGax. We used Estry’s MeLopron for eight years 
with perfect satisfaction, and regard it as the sweetest toned 
instrument of all Melodeons in the market. We have used 
Esrey’s CorraGe OrGan for three vears,and think & has =o 
match. 


40 J. ESTEY & 


From Rey. A. V. €. SCHENCK, Pastor Tioga St. Pres, Chureh, 
Philadelphia, Pa. 


I bought one of the Esrey Orcans (with ]02 (umana) 
nearly five years ago for the Bedford Presbyterian Church, 
which has given entire satisfaction, and is all they desire ina 
Cabinet Organ. I bought another nearly three years since, 
and it has proved to bea very excellent instrument in all re- 
spects, and needs no praise when it speaks for itself. 


From R. S. HUNT, Brookville, Pa. 

Ihave been using Estey’s CorTraGe OrGan in my family 
for the last eighteen months, and my opinion ofits superiority 
is confirmed by this use. The many who have tried it since 
it came into my possession unite in pronouncing it one of the 
** finest toned Organs they have ever seen.” 


From Rey. A. ARMSTRONG, Pastor Baptist Church, Easton, 

Pa. 

Ihave had my Estey Corrace OrGan about five years, 
and it now sounds out its music just as good as on the first 
weck after it came. During this time I have scen and heard 
many Organs from different manufacturers—some with high 
recommendations and extensive reputation; and if 1 were 
called upon by families or churches to know which 1 would 
prefer, would without hesitation say evcry time,the Estey 
OrGax. Forreal melody, richness of harmony and sweetness 
of tone, it is unequalled in my observation. 


COMPANY. 


a 
as 


From HENRY HEISER, Shencadoah, Pa, 

l have used my Organ thet [bought of you nearly a year 
since «with a great deal of satisfacticn tc mysclf and family. It 
is also the cpinion of thos> whe have tried it that 1t cannot be 
excelled by any other make in the country. 


From &. G. HARRISON, Hulmesyille, Pa. 

The Estey Orcan | purchasec of youin May, 1865, is stil 
(I might say) :1constantuse, Its tones are just as sweet and 
brilhant as ever -as good as new, excepting the case, which 
shows the marks of daily wear. In fact the longer 1 havcit 
the better I like it. The large sized one (six stops) placed in 
the Episcop2l Church of this village about five years since 
gives general satisfaction —in power and purity of tone is not 
equalled by any other make | ever heard. 


From Rey, €, H, MecDERMOND, Pastor of Hancock St. Church, 
Philadelphia, Pa. 


Having one of the Esrey Corrace OrGans in my family, I 
am prepared to say that in my judgment for swectness of tone 
and volume it cannot be surpassed by any other instrumentin 
the market. Some of my friends have exchanged other instru- 
ments for the Esrry. 


$e _)O<= 


MEDALS, FIRST PREMIUMS, DIPLOMAS, &c. 


Wer have taken over ONE HUNDRED AND FIFTY MEDALS, FIRST PREMIUMS 


AND DIPLOMAS at Fairs and Exhibitions throughout the United States. 
All of the principal Industrial Fairs in our country have bestowed upon our 


Organs the highest Premiums. 


Although we have been constantly enlarging our works, we have re- 
fused to take a large number of orders for our Organs, both for the Ameri- 
can and Foreign markets, on account of our inability to furnish them; but 
with our new factories and increased facilities, we hope to be able to meet 


the demands of the public. 


We desire to let our Organs speak for themselves, and ail of the enco- 
miums embraced in these pages are over the fuil signature of the writers. 
We prefer to make our statements plain and explicit, without insinuations 


or contusion. 


tah 


7 


= 


A Few Extraets from the Press. 


From the LEAVENWORTH (Kansas) BULLETIN, 


We to-day had the pleasure of listening to the sweet vibra- 
tions of J. Esrry & Co.’s Orcans, manipulated by the magic 
fingers of its gencral wholesale agent. 

The Organ we may safely commend for its excellence, be- 
ing one of the finest constructed instruments ever brought 
before the public. Among the many improvements over other 
Organs, we would call attention to the patent lox Humana 
Lremolo, which wonderful perfection was brought out in the 
Estey ORGAN in 1866. The finest effects of the 7yemelo are 
produced in using itasa solo Stop. The lox ¥xudilante isa 
new and beautiful Stop, which is peculiar to the Esrry OrGan 
alone, 

Take it all in ail, it is one of the finest toned and arranged 
Organs it has ever been our pleasure to listen to, and we would 
recommend all of our readers who wish to procure a fine instru- 
ment to secure an Estey OrGan. 


From the LEE COUNTY DEMOCRAT, Dixon, Iowa. 


The manufacturers announce that the great power and 
pipe-like tone of the Esrey Orcans have created a demand for 
an instrument whifh shall imitate the appearance as well as the 
tone of the Pipe Organ, and that they have now perfected new 
and beautiful gilt-pipe tops for different styles of Organs, which 
for elegance of proportion, chasteness of style and beauty of 
finish are unexcelled by anything in the market. The tone and 
touch are, without doubt, unapproached by any other reed in- 
strument in existence, while the style of case will prove an ap- 
propriate addition to the furnishing of the most elegant parlor. 
In attempting to describe the effect of the Estey OrGAN we are 
at a loss for language. We have received hundreds of testi- 
monials from celebrated Organists, testifying to the superiority 
of these instruments, with their peculiar improvements, which 
we could publish did we have space. 


From the DIXON (lowa) TELEGRAPH, 


The Organ that towers above all others is the Estey. If 
comparison is the test of merit, then the Esrey is without a rival 
in the market. It has more valuable patents than any other 
Organ made, among which are the Patent Harmonic Aattach- 
ment, which doubles the power of the instrument, the Patent 
Manual Sub Bass, which produces the effect of a pedal bass, 
and played on the ordinary keys. The J’ox Humana Tremolo 
—this late and really wonderful invention (so acknowledged by 
all leading artists) is to be found in these instruments. It is 
useless to attempt to describe the effect of this Stop; its beau- 
ties cannot be written, but must be heard to be appreciated. 
By this Stop an ordinary performer can produce an effect which 
requires a lifetime of practice for an artist upon the violin. 


From the WESTERN WATCHMAN, St. Louis, Mo. 


What a great improvement the Estey OrGans are over the 
old, familiar Melodeon ; such rich, pervading tones, almost re- 
sembling their great namesake, the Pipe Organ, just the reed 
instrument for the Church, Schools and Parlor.. We congratu- 
late the manufacturers in their success in producing such per- 
fect instruments, and their agents in obtaining control of them, 
feeling assured that success will follow their enterprise. 


' 


From the CHICAGO TRIBUNE. 


It is an undeniable fact that the Reed Organ is rapidly be- 
coming a powerful rival of the piano, Recent improvements 
in this class of instruments have marked a new era in their pro- 
duction and sale. Among first-class manufacturers perhaps 
none have done more for their perfection than Messrs. J. Esrey 
& Co., who have patented several improvements which are 
likely to produce a complete revolution in their manufacture. 
Among these is the lox Humana, a wonderful imitation of the 
tremolo of the human voice. A later, and perhaps still more 
effective Stop, has been perfected, called the Vor Fudilante,a 
Stop of exquisite sweetness and delicacy, giving still greater 
variety and power to the instrument. 


From HERALD AND PRESBYTERIAN, Cincinnati, 0. 


Has Nitsson Returnep ?—A gentleman purchasing a piano 
at Batpwin's the other day was so struck with the sound ofa 
beautiful soprano voice issuing from the Organ wareroom that 
he exclaimed: ‘* Why, has Nitsson returned? this sounds very 
much like her voice.” It happened to be an Estey OrGan with 
the “‘ human voice” Stop drawn, which he heard, and which he 
mistook for the lovely Swede’s. And, indeed, so voice-like, 
Sympathetic and sweet are the sounds of the Estey ORGAN, 
and so easily is it operated upon, and so durable and reliable 
has it proved itself, that it has become the most popular instru- 
ment of the kind extant. 


From the St. Louis CHRISTIAN ADVOCATE. 


At no period in the history of our country if, indeed, in 
the history of the world, has music been more critically studied 
and so universally appreciated than at the present time. We 
can boast of distinguished composers and instrumenta! pertor- 
mers an honor to any country or age. Almost every cultivated 
household has its musical instrument of some kind. The size 
and expense of the Organ has always been a bar to its becom- 
ing a popular instrument for general use, but the progressive 
improvements in the Corrace Orcans have fully removed 
these embarrassments. In these instruments the essential ele- 
ments of the Organ have been combined with a portable size, 
and ata far less expense. The Estey OrGan combines yalu- 
able improvements attached to no other musical instrument. 

This instrument has the highest recommendation from those 
who are acquainted with its peculiar features, and has never 
failed to give entire satisfaction. We invite musicians and the 
public to examine and test these Organs. 


From the CATHOLIC MIRROR, Baltimore, Md. 


ACKNOWLEDGMENT.—We cheerfully comply with the re- 
quest of an esteemed correspondent from Hanover, Pa., by 


| giving publicity to the following extract from his letter: 


‘‘ We (the Catholics) wished to procure a good Organ for 
our little Church of St. Joseph, and, our attention having been 
called to the Esrry Cazniner Orcax, we purchased one, which, 
having reached Hanover in good order, was duly put up in St. 
Joseph's Church, and tried by our able Organist, Mr. A. J. 
SmirH, who pronounced himself well pleased with it. We are 
highly gratified at having secured such a good instrument, and 
think it but right to make this acknowledgment.” 


é J. ESTEY & COMPANY. 


— -_ ee 


From the RUSSELLVILLE (Ky.) HERALD. 


The Estry OrGans are said to be the most powerful and 
rich-toned instruments now before the public, and the 7yemolo 
is perfectly delightful. They are unsurpassed for parlor use. 


From the ROCKVILLE (Md.) SENTINEL. 


New Orcan.—The Presbyterian Congregation of Rockville 
have just procured a very fine Esrey Cotrace Orcan, with 
el, * Steps. 

This Organ surpasses in tone and power any Cabinet Organ 
heretofore introduced into this community. It has been tested 
by our lovers of music, and gives universal satisfaction. Its 
dynamical compass is really wonderful. By a skillful use of the 
Stops, and of the knee swell, the music is adapted in expression 
to the sentiment of the hymn, ranging from the softest, flute- 
like note to a volume of sound that fills the Church with thrill- 
ing effect. This Organ, in fact, seems to be the xe plus ultra 
for Churches of the ordinary size outside of cities. 


From IRA AH. STOUT, Editor St. Louis Journal of Commerce, 
St. Louis, Mo. 


Referring to the Estry Orcan. Itis one that will not fail 
to give entire satisfaction, as its valuable improvements and 
mechanical construction fully illustrate the adage—‘ That 
worth doing at all should be done well,” and can cordially en- 
dorse it as the best I have seen. 


— 


From the PITTSBURGH (Pa.) COMMERCIAL. 


When you buy an Organ \et it be one of the Esrey Corracr 
OrGans, which are far in advance of all other reed instruments 
made in this country. rst. Their pure pipe-quality of tone, so 
long sought to be accomplished by other makers, but never 
perfected until the House of Estey & Co. discovered the secret, 
and now apply it in their CotraGe OrGan. 2d. Quick articula- 
tion, by which the most difficult and rapid musical compositions 
can be performed. 3d. The attachment of the Patent Vor 
Humana Tremolo—the only perfect one in use. By this beau- 
tiful arrangement the human voice is perfectly imitated, leaving 
nothing to be desired. 4th. Their simplicity of construction 
and durability, not liable to get out of order, so common 2a 
fault among all others. The most eminent Pipe Organ builders 
and performers pronounce them vastly superior to ail others, 
and use them in preference. 


From the HOME JOURNAL. 


A New OrGan or SpeecH.—We all admire a grand Organ, 
(almost as much as we detest and abominate that peripatetic 
nuisance, a hand-organ,) but then an Organ is so cumbersome 
and so costly—fit only for Churches and Boston Music Halls. 
Ah, no! we forgot that modern contrivance, which comprises 
ali the chief .catures of a Grand Organ without any of its seri- 
ous inconveniences—we mean that neat, popular instrument, a 
CoTTaGE OrGan. Yetit is no simple thing, this Corracr Or- 
GaN. Itis the product of much mechanical skill and high musi- 
cal thought, asis witnessed by its numerous varieties and styles, 
and by the constant improvemnnts taking place in its construc- 
tion. The Estey Corrace OrGan is one of the very Jest. Its 
tones are rich, full and truly Organ-like. The improvements 
combined in this instrument are many and peculiar. The Patent 
Iiarmonic Attachment, coupling the octaves, thus doubling the 
power without increasing its size. The Patent Manual Suv- 
Bass, bringing into use an independent set of large bass eeds, 
coupled to the manual and controlled by a Stop; but above all 
the song, the voice given to this Organ by means of the Patent 
Vox Humana Tremolo. In this late improvement lies the great 
charm, the life, the soul of this Organ. An invention so simple 
and perfect must commend itself to all who delight in a “‘ con- 
cord of swect sounds.’ By its means the Organ can be made 
to sing—to all butspeak. Itis the only real ¢vevzo/o in existence, 
and more closely imitates the Auman vorce than any invention 
yct discovered, 


From the SPRINGFIELD REPUBLICAN, 


The Masons of this city have purchased, for the use of the 
different bodies that mect in Masonic Hall, a fine Reed Organ, 
from the manufactory of J. Esrey & Co. A peculiar and ad- 
mirable feature of this instrument is the Pex Humana Tremolo, 
recently invented and patented. Tremulants are, usually, in 
Pipe as well as Reed Organs, a clattering, superfluous, unman- 
ageable nuisance; offensive to a correct taste, and undesirable 
in every way. This one, however, is as beautiful as the others 
are worthless; being under perfect control as to rapidity, its 
delicate pulsations appeal to the listener with a power and pa- 
thos impossible to resist. 


From the N. ¥. INDEPENDENT. 


Nores av THE Farr of THE N.Y. Srare AGRICULTURAL So- 
cieTy.—Floral Halland Domestic Hall never before apper ed 
so much like an Eden of delight as when every standing was 
occupied by enraptured listeners, drinking into the Heaven- 
born music of Esrey’s Corrace Orcan, for which they have 
received the Gold Medal. I have often sung 


“What fairy-like music steals over the sea, 
Entrancing the senses with charm melody." 


But I must confess I never before knew what ** Charm melody” 
is, or how one feels when the senses are entranced. I never 
want to hear another piano, if 1 can hear sucha Corrace ORGAN, 
with the Vox Humana Tremolo Attachment, which consists of 
a revolving fan placed just back of the swell of the Organ, and 
which is put in motion by a pedal. There is no use in attempt- 
ing to describe this prize instrument. Language fails in ade- 
quacy to convey a fair idea of the perfectly enchanting power 
of such an instrument. Its transcendant sweetness can never 
be recorded, even by the pen of an angelic being. It must be 
heard in order to be appreciated. I saw old gray-headed, iron- 
sided, stony-hearted Ajaxes, at Saratoga, who consider it un- 
manly to weep, even when they lay a dear friend in his long 
resting place, wiping the unbidden tears, because the entranc- 
ing music not only charmed the car, but sank into the very 
fountains of life. An old wag wiped his tears, and exclaimed, 
“They can’t beat that in Heaven!” 


From the METHODIST. 


The Corrace OrcGan, though not taking more room than 
the Harmonium, has a power, sweetness and variety seldom 
equalled. For the parlor, its swectness is remarkable : for the 
Church, it has a power more Organ-like than anything we have 
seen. 


From the EVENING HERALD, 


Those who are at all conversant with musical matters must 
have heard of the Esrry Orxcans, which may be said to have 
achieved celebrity in a short time, commanding attention in 
foreign countries as well as at home. 

These makers had noted carefully the imperfections and the 
need of the reed instruments, and directed all their practical 
experience to the correction of such imperfections, and to the 
supplying of these manifest needs. Their experiments have 
resulted in the production of a quality of tone which assimilates 
sce closely to the pipe organ quality, that it is difficult to dis- 
tinguish between the two. This is the most important devel- 
opment of the reed instrument, and adapts it to the service of 
the church, and to vocal accomplishments and music at home. 

¢ combines sweetness and power in a remarkable degree, and 
must be an established favorite in every family circle where it 
is introduced. 


From the OPERA HOUSE PROGRAMME, 


The Esrey Jupttante OrGan is now admitted by musical 
czitics to be the finest in the world. It has always borne the 
reputation of being a superior instrument, and well up with all 
rivals, but since the invention and application of late improve- 
ments it is without an equal. 


EXTRACTS FROM THE PRESS. 43 


—— 
= 


From the GRISWOLD COLLEGIAN, Davenport, Lowa. 


Numper 46.--You have no idea what ‘* No. 46"’ means, 
Gear reader, we are sure, and therefore we will graciously in- 
form you that it is not a formula, mathematical or chemical, 
tut something at once wsthetical and practical. If you would 
furnish a treat to both your eye and ear, take up the Catalogue 
of Estey & Co.’s OrGans, and turn to No. 46, you will find it 
represents the Double Bank Harmonic Instrument, with pipe 
organ top, which attracts your glance at once by ‘tsremarkable 
beauty. Then sit down for a while and take your 4ll of the 
delicious music that flows from it, and you will surely thack us 
tor the suggestion. With its wondrous resemblance to the ex- 
pensive pipe organ, both in tone and appearance, it is just what 
is needed in small churches, where the taste of the people is 
in advance of their means. 


From the DIXON SENTINEL. 

The Estey OrGan has won its way into public favor by its 
own intrinsic memts, until it now stands without a rival in the 
market. 


From the DELEYVAN ( Wis.) REPUBLICAN. 


The Cabinet Organ is fast becoming a popular instrument. 
So many improvements have been made within a few years, 
that in place of the melodeon with its sameness of tone and ex- 
pression, we have now an instrument capable of producing 
many different styles of music and many varieties of expression. 
Among the many organs now in the field claiming to be first- 
class instruments, the Estry OrGan takes the frontrank. They 
have all the latest improvements, and in power and richness of 
tone are not excelled. The Vox ¥udilante and the lox Hu- 
mana Tremolo are crowning excellencies in these organs. The 
Vox Fudbitlante gives an exquisitely beautiful effect, while the 
Vox Humana Tremolo adds a charm that is just the thing 
needed to bring out the beauties of certain passages, and is su- 
perior to other organs in that it is perfectiy under the control 
ot the player, instead of depending on the bellows. The Sxé 
Bass and Harmonic Attachments add fullness and power, while 
the swell enables a perfect crescendo and diminuendo to be 
made. Altogether they are a beautiful instrument. 


From the VERGENNES VERMONTER. 


Estry’s Orcans.--There are some musical instruments in 
all good society which it is quite as unnecessary to commend 
to public favor as it would be to advise a thoughtful house- 
keeper to always have a barrel of good flour on hand; and 
among these we class the Esrry Orcax. Why occupy the 
space in our columns to say that the Messrs. J. Estey & Co., 
of Brattleboro, have exhausted musical skill, ingenuity and 
taste in getting up the most perfect instrument of the kind 
made when all know that they have! 


From the BRUNSWICK TELEGRAPH, Brunswick, Me. 


Music ror THE Mittion.—The firm of J. Estey & Co., 
Brattleboro, Vt., are effecting a radical reform in reed instru- 
ments by the constant improvements which they are making 
in the popular Esrey CorraGe Orcan. They are the inventors 
of the original and genuine CorraGe OrcGans, with Patent 
Manual Sub Bass, Knee Swell, Organ Bellows, as well as the 
new and beautiful Vor Humana Tremolo, and patent method 
of making their reed boards. They have recently added a new 
and valuable feature, a stop of more commanding effect than 
has been before obtained, which they style the } ox Fudilante. 
Their instruments are all of superior make, tune and finish. It 
does not surprise us, therefore, to learn that they are thronged 
with orders, and-are unable to fill them, although crowding 
every operative department to its utmost capacity. The con- 
Stant pressure of orders has forced upon the abuve successful 
firm the necessity of enlarging the working capacity of their 
already extensive establishment, and additional room tor more 
workmen ts now being made to meet the necessity. 


From WORCESTER WEST CHRONICLE, Athol, Mass. 


The reputation which the Estry Orcan has attained has 
been deservedly won; and we know of no other instrument 
which is capable of emitting such sweet melody, and such a re- 
markable depth and fullness of tone; and, therefore, we are 
convinced that there is no organ manufactured which can com- 
pete with the Esrery. 


From the PLYMOUTH (Pa.) STAR. 


Quvestion.—J. Esrry & Co., manufacturers of the popular 
Corracr and Harmonic OrGans, are finishing and sending out 
more Organs than any other house in the world. Why is it 
they are constantly from four to six weeks behind their orders, 
when cther houses are ready, at an hour's notice, to fill every 
call? Reader, let me whisper the answer in your ear, and you 
may tell it to your friends if you choose. It is because a dis- 
cerning, mus.c-loving public have discovered their GREAT su- 
Pertoriry to a.l others in the market—superior in power, in 
sweetness and purity of tone—superior in beauty of finish, and 
the cuEaresr Organ, considering their intrinsic merits, in the 
market. Now a word of advice: Sem and wear the Esrey 
CorraGe OrGan before you buy any other. 


From the NEW YORK EVENING EXPRESS. 


A CorraGe OrGAN wiTH A Human Voice.—We live in an 
age of music. In no period of the world’s history has the 
“melodious art’? been more wideiy, perhaps more wisely, ap- 
preciated and studied than in our own time. The concert has 
become an institution, the opera has atiained the position of an 
essential to civilization ; we can boast of Rossini, and AuBER, 
and VERDI, as composers, and Listz, GorrscHaLK, THALBERG, 
SANDERSON, Mitts, HELLER and MorGan, as instrumental per- 
formers, while every hove2 in our midst has its ‘* piano,” and 
all our Churches, and a goodly proportion of our private dwell- 
ings, also, are blest with that finest of musical instiuments, Tke 
Organ. The only serious objections that have ever prevailed 
as to the general use of the Organ have been its size and its 
cost; but in the progress of recent improvements these objec- 
tions hav> been altogether obviated. Under the names of Me- 
lodeons, Parlor Organs, Cabinet Organs, Cottage Organs, etc., 
the main musical features of the Organ have combined with 
less than the average bulk and expense of a piano. In couse- 
quence Corracr OrGaAns are now, in musical circles, as it were, 
“the rage.’”’ Among the most popular (and deservedly so) of 
Cottage Organs, ranks the Estey OrGax. This instrument is 
what it professes to be, an Orgax ; it is nef a bogus piano, nor 
a hybrid organ, nor an instrument which in trying to combine 
the excellencies of both, falls short of the chief metits vi eltner ; 
but is simply an crgin, reduced in size, but equal in other re- 
spects to the best ofits class. The Esrey CorraGr Orcans are 
remarkable alike for the sweetness and power of their tone, 
while in point of clearness of sound they have no superiors. 
But their great especial feature is the new patented improve- 
ment known as the lex Humana Tremolo. Thisisa simple 
fan-like arrangement, which, when put in motion, imparts to 
the music a tremolo admitting of all gradations of swell and 
tone, having in fact almost the expression of the human voice, 
and closely imitating it--being in short the best tremolo ever 
attached to a musical instrument. 


From the OGDENSBURGIL JOURNAL. 


Twenty vears ago reed music met with comparatively 
little favor; but under the watchful care of Jacor Esrry it has 
attained a wonderfui state of perfection, Of the many im- 
provements made, none is more admired than the lez Huma- 
na Tremolo, introduced four years ago. It 1s probably the 
nearest approach to an imitation of the human voice ever in- 
vented, and gives to music a mellow cadence and pathos hith- 
erto unknown 


44 J. ESTEY & COMPANY. 


From the PITTSBURGH POST, Pittsburgh, Pa. 


Among the numerous claimants for public favor in the 
Parlor Organ line, the Estey & Co. Corrace Oraan is far in 
advance of any yet offered to the public. ln this instrument 
alone can be found the pure pipe tones of the Cathedral Organ 
—full, round and sweet. 


From WATCHMAN AND REFLECTOR, Boston, Mass, 

J. Estey & Company.—Every day the name of Estey is be- 
coming more and more a familiar household word all over the 
land—and morning, noon and -night, from thousands of happy 
firesides, sweet sounds of rarest melody float up to bless it. 
Having had occasion recently to visit Brattleboro, Vt., where 
the manufactories of J. Estey & Co. are situated, we took oc- 
casion to visit each of them. To our surprise we found four 
large buildings filled with workmen, and saw the marvellous 
strides modern skill and invention have made. We witnessed 
the working of one of the most perfect and complete systems 
of manufacture in the whole country, where the lumber and 
raw material are taken in at one door, in building No. 1, pass- 
ing through in regular order, until they come out at building 
No. 4, a most beautiful musical instrument—one which chal- 
lenges uncompromising trial and criticism. A more delicious 
combination of sweetness, purity, and power of tone can 
scarcely be conceived. The wonderful ex Humana Tremolo 
touches the heart with an almost human instinct. The lox 
Fubtlante is a stop most effective and enchanting. The Sud 
Bass, Harmonic Attachment, and other improvements, are 
scientifically arranged into one yrand whole. We might con- 
tinue, but the truth 1s, the Estey OrGans sing their own praises 
far more eloquently than any words of ours. 


From the COMMERCIAL ADVERTISER, 


One of the very best of its class, embracing the Cottage, 
Boudoir and, Harmonic Organs, whether in the American or 
Foreign Musical Market, is the instrument known as the Estry 
OrGaAN. It embraces many valuable improvements found in 
no others; but the feature of the Estey Orcan is the recently 
patented Vox Humana Tremolo. This, like all other valuable 
inventions, is simple, consisting of a revolving fan, which, in 
motion, imparts to the tone a tremulous effect. closely imitating 
the human voice—more closely than any other invention yet 
known to the musical world. It changes the r.ed tone, giving 
much of the sympathetic effect of the human voice. It can be 
modified, increased or lowered at will, and affords really a 
magnificent tremolo. 


From N. ¥. TRADE REPORTER. 


J. Estey & Co.—Suakespeare has defined music to be “2 
concord of sweet sounds,” and since the days of the mythologi- 
cal Pan, who invoked “harmonies sweet’’ from the rude 
reeds, there has been no vehicle of sound more symphoniovs 
and enchanting than the Esrey OrGan, which, in musical cir- 
cles, is justly regarded as ¢#e invention of the age. Experts 
and critics, who worship at the shrine of the ‘“‘Sacred Nine,’ 
with one accord declare that the Organs which bear the im- 
print of J. Esrzy & Co. are unsurpassed and unsurpassable; 
and the thousand of testimonials to the beauty and perfection 
of the CotraGE OrGans which monthly issue from the work- 
shops of this esteemed firm, are so precise and explicit in their 
character, as to leave no more room for scepticism as regards 
the quality and efficiency of the instruments they produce. 





. aes 


HRRATA ! 





On page 14 in description of No. 26, read “No. 17” 
instead of “No. 19;’" in description of No. 28, read “No. 
14”° instead af No. 21;” On page 22, read “this style 
contains six full sets of reeds &c.,”’ instead of “six full 
and one three fifths set &c.”’ 





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Every Instrument Fully Warranted. 


i ae